|
49%
|
The Passion of the Christ (2004)
|
"A powerful, artistic expression of one of the most pivotal moments in the Christian religion."
|
Mark Sells
|
|
27%
|
The Stepford Wives (2004)
|
"This version quickly falls in and out of form, deviating from comedy to thriller...losing the social significance of the original."
|
Mark Sells
|
|
24%
|
The Statement (2003)
|
"It winds up not making much of a statement at all."
|
Mark Sells
|
|
82%
|
Monster (2004)
|
"Takes an unbiased and compelling look at the anatomy of a natural born serial killer."
|
Mark Sells
|
|
84%
|
Pieces of April (2003)
|
"Holmes, Clarkson, and Platt steer the course through the straight and narrow and keep the film from becoming an inedible holiday leftover."
|
Mark Sells
|
|
65%
|
The Last Samurai (2003)
|
"A harrowing tale of honor, simple beauty, self-discovery, and ferocious conviction."
|
Mark Sells
|
|
58%
|
Casa de los Babys (2003)
|
"All in all, the film just tries to do too much."
|
Mark Sells
|
|
82%
|
Thirteen (2003)
|
"Breaks any and all preconceptions of what teenage life is supposed to be and projects the worst-case scenario."
|
Mark Sells
|
|
61%
|
Under the Tuscan Sun (2003)
|
"A charming, highly entertaining romantic adventure full of life, spectacular vistas, and sensual delight."
|
Mark Sells
|
|
84%
|
Swimming Pool (2003)
|
"A sexy, stylish mystery that thrives on ambiguity."
|
Mark Sells
|
|
77%
|
Seabiscuit (2003)
|
"A Cinderella story for all ages."
|
Mark Sells
|
|
98%
|
Spellbound (2002)
|
"A documentary with a lot of warmth."
|
Mark Sells
|
|
79%
|
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
|
"Pirates of the Caribbean is a return to the high seas a la the great adventures of Errol Flynn and Douglas Fairbanks."
|
Mark Sells
|
|
64%
|
The Shape Of Things (2002)
|
"Harsh, unflattering, and outrageous, it is guaranteed to leave a prolonged impression."
|
Mark Sells
|
|
12%
|
Batman & Robin (1997)
|
|
Jamie Peck
|
|
17%
|
Turbulence (1997)
|
|
Jamie Peck
|
|
81%
|
Liar Liar (1997)
|
|
Jamie Peck
|
|
11%
|
End of Days (1999)
|
|
Jamie Peck
|
|
33%
|
The Love Letter (1999)
|
|
Jamie Peck
|
|
23%
|
Event Horizon (1997)
|
|
Jamie Peck
|
|
63%
|
Muppets From Space (1999)
|
|
Jamie Peck
|
|
67%
|
Sleepy Hollow (1999)
|
|
Jamie Peck
|
|
29%
|
Goodbye Lover (1998)
|
|
Jamie Peck
|
|
37%
|
Last Man Standing (1996)
|
|
Jamie Peck
|
|
70%
|
Operation Condor (Fei ying gai wak) (Armour of God II) (1991)
|
|
Jamie Peck
|
|
67%
|
Stir of Echoes (1999)
|
|
Jamie Peck
|
|
27%
|
U.S. Marshals (1997)
|
|
Jamie Peck
|
|
29%
|
The Devil's Own (1997)
|
|
Jamie Peck
|
|
59%
|
U Turn (1997)
|
|
Jamie Peck
|
|
54%
|
True Crime (1999)
|
|
Jamie Peck
|
|
55%
|
Jackie Chan's First Strike (1996)
|
|
Jamie Peck
|
|
90%
|
October Sky (1999)
|
|
Jamie Peck
|
|
17%
|
Whatever It Takes (2000)
|
|
Jamie Peck
|
|
10%
|
Supernova (2000)
|
|
Jamie Peck
|
|
73%
|
Sleepers (1996)
|
|
Jamie Peck
|
|
12%
|
Dear God (1996)
|
|
Jamie Peck
|
|
29%
|
Nothing to Lose (1997)
|
|
Jamie Peck
|
|
38%
|
No Looking Back (1998)
|
|
Jamie Peck
|
|
17%
|
Desperate Measures (1997)
|
|
Jamie Peck
|
|
29%
|
200 Cigarettes (1999)
|
|
Jamie Peck
|
|
67%
|
The Long Kiss Goodnight (1996)
|
|
Jamie Peck
|
|
0%
|
The Shadow Conspiracy (1997)
|
|
Jamie Peck
|
|
22%
|
Stigmata (1999)
|
|
Jamie Peck
|
|
23%
|
The Island of Dr. Moreau (1996)
|
|
Jamie Peck
|
|
9%
|
The Pest (1997)
|
|
Jamie Peck
|
|
66%
|
She's So Lovely (1997)
|
|
Jamie Peck
|
|
16%
|
Thinner (1996)
|
|
Jamie Peck
|
|
38%
|
Anaconda (1997)
|
|
Jamie Peck
|
|
30%
|
The Saint (1997)
|
|
Jamie Peck
|
|
49%
|
The Road to El Dorado (2000)
|
|
Jamie Peck
|