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Aeon Flux (2005) |
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"Sophie Okonedo" | |
Kam Williams | |
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0/4 |
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Are We There Yet? (2005) |
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"This lame excuse for a family flick stars Ice Cube and Nia Long, but features a Ford SUV, the Lincoln Navigator, in what really amounts to an over-extended automobile ad." | |
Kam Williams | |
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4/4 |
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Brother to Brother (2004) |
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"A production which earns accolades for so sensitively shedding light on a subject many would prefer be kept in the closet." | |
Kam Williams | |
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4/4 |
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Crash (2005) |
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"This articulate and particularly poignant mood piece demands nothing of its audience, except for some brutally honest introspection about our unquestioned presumptions about the human condition. Easily, the best film of 2005." | |
Kam Williams | |
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1/4 |
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Fair Game (2005) |
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"With colorful characters relying on exaggerated Ebonics, this sitcom unfolds like an extended episode of a modern-day, minstrel TV show except not as funny, especially since the stereotypes on display here are by and large woefully outdated." | |
Kam Williams | |
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-- |
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Flightplan (2005) |
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"Jodie Foster" | |
Kam Williams | |
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3/4 |
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Freedomland (2005) |
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"By frequently relying on dizzying, hand-held camera work, director Joe Roth manufactures a palpable sense of perhaps unearned urgency." | |
Kam Williams | |
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3.5/4 |
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G (2002) |
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"An intricate update of The Great Gatsby exploring such themes as greed, ambition, passion, infidelity and more greed, all against the elegant backdrop of Long Island's leisure class." | |
Kam Williams | |
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Guess Who (2005) |
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"Bernie Mac" | |
Kam Williams | |
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Honeymooners (2005) |
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"Cedric the Entertainer" | |
Kam Williams | |
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-- |
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Honeymooners (2005) |
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"Mike Epps" | |
Kam Williams | |
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-- |
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King's Ransom (2005) |
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"Anthony Anderson" | |
Kam Williams | |
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Monster-in-Law (2005) |
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"Jane Fonda" | |
Kam Williams | |
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The Pursuit of Happyness (2006) |
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"Will Smith" | |
Kam Williams | |
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1/4 |
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Roll Bounce (2005) |
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"For some reason, teasing people about their skin color has become a big theme of brainless black comedies like this. Plus, it unfolds like one long Pepsi ad, with dialogue extolling the cola's virtues in virtually every scene." | |
Kam Williams | |
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1/4 |
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When the Levees Broke (2006) |
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"Despite capturing many heartbreaking aspects of the disaster, this is essentially an overambitious mess which ultimately fails to convey effectively the scale or scope of the ongoing tragedy." | |
Kam Williams | |
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0/4 |
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Who Made the Potatoe Salad? (2006) |
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"The ghetto goes Godzilla! The actors' lips are frequently not synchronized with their dialogue, producing an effect which makes the movie look like a badly-dubbed Japanese monster movie from the Fifties." | |
Kam Williams | |
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