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2.5/4 |
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The Astronaut Farmer (2007) |
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"Fortunately, this fable revolves around a role model worth emulating with an intact moral compass and an indomitable spirit of adventure. What a breath of fresh air after that Space Shuttle Commander arrested for attempted murder in an adult diaper." | |
Kam Williams | |
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Banished: How Whites Drove Blacks Out of Town in America (2007) |
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"A heartbreaking documentary which blows the sheets, pardon the expression, off a long-hidden, racist aspect of U.S. history." | |
Kam Williams | |
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4/4 |
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China Blue (2005) |
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"Just the latest in an invaluable string of eye-opening documentaries designed to make Westerners face the fact that their relatively high standard of living comes at the expense of impoverished, indigenous peoples of the Third World." | |
Kam Williams | |
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4/4 |
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Côte d'Azur (2004) |
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"Works well so long as it is approached as a tongue-in-cheek farce as opposed to a plausible melodrama." | |
Kam Williams | |
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4/4 |
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Day Night Day Night (2007) |
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"Shrouded by a haunting pall which permeates the picture throughout, the movie is more interested in examining the mindset of a maniacal Muslim with her finger on the trigger than with the plight of her potential victims." | |
Kam Williams | |
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4/4 |
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DOA: Dead or Alive (2007) |
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"If Corey Yuen believed in truth in advertising, ala Snakes on a Plane, this flick would have a name like Jiggly Babes Kick Butt. The stuff that post-pubescent dreams are made of." | |
Kam Williams | |
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3/4 |
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Duck (2007) |
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"Philip Baker Hall throws himself into the role ever so convincingly opposite his anthropomorphized companion in a manner reminiscent of Jimmy Stewart with his imaginary 6-foot tall rabbit in Harvey, and Tom Hanks with Wilson the volleyball in Cast Away." | |
Kam Williams | |
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3.5/4 |
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The Glamorous Life Of Sachiko Hanai (2007) |
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"Is this sleaze dressed up as art, or vice-versa? As more and more daring directors opt to push the envelope with similar conversation-provoking pictures, we'll have to let the debate about what could be an emerging cinematic trend continue." | |
Kam Williams | |
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4/4 |
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Jack Smith and the Destruction of Atlantis (2007) |
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"Alternately bizarre and inspired, but an appropriate tribute to an uncompromisingly experimental innovator in the field of cinema." | |
Kam Williams | |
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3.5/4 |
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Manufactured Landscapes (2007) |
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"A powerful picture primarily because it never proselytizes but simple allows its visually-overwhelmed audience to draw its own conclusions about the unconsidered downside of living beyond our ecological means." | |
Kam Williams | |
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3.5/4 |
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Palindromes (2005) |
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"A bizarre but brilliant headscratcher!" | |
Kam Williams | |
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Roll Bounce (2005) |
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"Bow Wow" | |
Kam Williams | |
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