Tomato 3/5 |
500 Days of Summer (2009) |
"It offers us the kind of friendship that comes with a brilliant soundtrack, a story with a solid mixture of fantasy and truth, and the bolstering sort of hopefulness that we might, by accident, fall into a version of its world someday." |
Millie Stein |
Tomato 3/5 |
Adventureland (2009) |
"Mottola hasn't concocted the funniest summer comedy ever, but he may have given us one of the wisest." |
Ben Kenisberg |
Tomato 5/6 |
American Teen (2008) |
"The movie has a rare, geeky generosity -- a braces-laden, acne-scared adorableness -- that sets it apart from the current crop of glamorised gossip girls or reality-TV phonies." |
Joshua Rothkopf |
Tomato 3/5 |
Astro Boy (2009) |
"Diehard fans should be warned that the movie will not deliver the nostalgic hit they are hoping for. This is not necessarily such a bad thing. At least a new generation is being exposed to Astro Boy." |
Sarah Theeboom |
Tomato 4/6 |
Australia (2008) |
"A very loud, crazily colourful and delightfully strings-free romp -- fun while it lasted and fondly recalled, but not, alas, the big love we yearned for." |
Angus Fontaine |
Splat 2/5 |
Beautiful Kate (2009) |
"Rachel Ward's directorial debut is well acted and handsomely shot by Andrew Commis, but it goes nowhere." |
Nick Dent |
Splat 3/6 |
Before the Rains (2008) |
"Has the moral overtones of an EM Forster story, but is curiously lacking in emotional force." |
Nick Dent |
Splat 3/6 |
Big Stan (2007) |
"Whether you love him or hate him, your opinion of Rob Schneider will remain unchanged by the end." |
Jonathon Valenzuela |
Tomato 4/6 |
The Boy in the Striped Pajamas (2008) |
"This writer can't remember witnessing a harder-hitting kids' movie denouement than the one that closes this microcosm of middle-class German family life in WWII." |
Derek Adams |
Tomato 4/5 |
Bruno (2009) |
"It's essential - but hardly comfortable - viewing. You'll watch most of it through splayed fingers, and at times you'll need a spare hand to pick your jaw up off the cinema floor." |
Dan Rookwood |
Splat |
Burn After Reading (2008) |
"Burn After Reading is a disposable lark, and it's treated by the filmmakers as such; Forget After Seeing would be a far more honest title." |
David Fear |
Tomato 3/5 |
Capitalism: A Love Story (2009) |
"Capitalism: A Love Story is, like Moore's previous movies, manipulative and moving, funny and impassioned, uplifting and infuriating." |
Michelle Lamont |
Tomato 5/5 |
Che, Part One (2008) |
"It's not a Hollywood-style movie - it demands patience and proper attention - but it's a great movie, and rewards magnificently." |
Geoff Andrew |
Tomato 3/5 |
Cheri (2009) |
"Remember Boyle and MacDonald's names: you'll be hearing them a lot when awards season comes around." |
Nick Dent |
Tomato 4/6 |
The Curious Case of Benjamin Button (2008) |
"For a melodrama concerned with emotional pain, this fairy tale favours formal trickery over human connection to a fault." |
David Fear |
Tomato 5/6 |
The Dark Knight (2008) |
"There is an exquisite order in the chaos, a fascist formality and video game surrealism that resists the forces of disintegration with a sort of superhuman determination." |
Ruth Hessey |
Tomato |
District 9 (2009) |
"Neill Blomkamp's career-making debut film District 9 mixes alien contact with apartheid politics, deftly creating one of the best sci-fi films in recent memory." |
Jonathon Valenzuela |
Tomato 5/6 |
Doubt (2008) |
"Tense and teasingly ambiguous..." |
David Jenkins |
Tomato 4/5 |
Drag Me To Hell (2009) |
"Drag Me to Hell isn't a classic by any means, but feels like a palate cleanser before the next big project – and anything that washes the taste of Spider-man 3 out of Raimi's mouth can only be a good thing." |
|
Tomato 5/6 |
The Duchess (2008) |
"A mature, restrained portrayal from Knightley, a masterclass in passive aggression from Fiennes and a performance of tender seduction from Atwell." |
|
Tomato 5/6 |
Every Little Step (2009) |
"We're left with a deep sense of admiration for those who are prepared to face rejection routinely in pursuit of a dream." |
Nick Dent |
Splat |
Fired Up (2009) |
"U-G-L-Y." |
Joshua Rothkopf |
Tomato 3/6 |
Frozen River (2008) |
"The points Hunt wants to make may not be profound (desperate people do desperate things; morality takes a backseat, but not forever), but Leo makes them seem fresh." |
Hank Sartin |
Tomato 5/6 |
Fugitive Pieces (2008) |
"Nuanced, scrupulous and powerful..." |
Joshua Land |
Tomato 5/6 |
Funny Games (2008) |
"This new version adds nothing novel, but it lacks none of the original's bite." |
Wally Hammond |
Tomato 3/6 |
Ghosts of Girlfriends Past (2009) |
"Quirky supporting characters enliven this by-the-numbers romcom." |
Lisa Varano |
Splat 2/5 |
The Girlfriend Experience (2009) |
"It's ... hard not to wonder if a skilled actress would have been better equipped to play Christine instead of a famous porn star -- but reality seems to be the directive in Soderbergh's film, no matter how bland that reality might be." |
Millie Stein |
Tomato 3/5 |
Gomorrah (2009) |
"The result, while admirable, is curiously flat and unengaging." |
Nick Dent |
Splat 2/5 |
The Hangover (2009) |
"It doesn't help that the central cast is almost entirely forgettable, from the smug lounge lizardry of Bradley Cooper to the boisterous Jack Black-lite of Zach Galifianakis." |
Tom Huddleston |
Tomato 4/6 |
Hellboy II: The Golden Army (2008) |
"A thinking person's 'creature feature,' Hellboy II is also a heartfelt plea for bio- and cultural diversity." |
Nigel Floyd |
Tomato 3/5 |
I Love You, Man (2009) |
"In less sure hands this parade of oddities could have become tiresome. Which only makes Rudd's central performance more impressive, holding the entire edifice together by sheer force of personality." |
Tom Huddleston |
Splat 2/5 |
The Imaginarium of Doctor Parnassus (2009) |
"It's unlikely Gilliam's own, undeniably brilliant career will be revitalised by this rambling, undisciplined and indulgent piece of work." |
Tom Huddleston |
Tomato 4/6 |
In Bruges (2008) |
"McDonagh’s dialogue is often bruisingly funny -- particularly once hambone Ralph Fiennes makes his belated entrance -- and his sense of the absurd never falters." |
|
Tomato 3/6 |
Inkheart (2009) |
"It's a familiar tale, but one told with gusto, wit and visual flare..." |
David Jenkins |
Tomato 4/5 |
It Might Get Loud (2009) |
"A must-see for axe players, the movie is not terribly concerned with history. Still, its design is smarter than you realise." |
|
Splat 2/5 |
Jonas Brothers - The Concert Experience (2009) |
"Call us cynical, but isn't there something just a tiny bit iffy about three sworn virgins performing a rock show in which the climax has them shooting gallons of white "party" foam over their adoring girl fans?" |
Sophie Harris |
Splat 3/6 |
Knowing (2009) |
"The film's final third [is] a mélange of Close Encounters of the Third Kind and Christian eschatology that will make you wish the film had ended 15 minutes sooner." |
Hank Sartin |
Splat 1/5 |
Land of the Lost (2009) |
"Lost is putting it mildly." |
Joshua Rothkopf |
Tomato 4/5 |
The Limits of Control (2009) |
"While some will find Jarmusch's tale (if one can call the dialogue-poor film a tale) pretentious, others will adore its artistic sensibilities." |
Millie Stein |
Tomato 4/5 |
Mao's Last Dancer (2009) |
"Bruce Beresford delivers one of his best films in the story of Chinese ballet star Li Cunxin." |
Nick Dent |
Tomato 3/5 |
Night at the Museum: Battle of the Smithsonian (2009) |
"The Toy Story-esque plot could be written on the femur of dormouse and some scenes still lean towards inanity. But, in the main, this is a funnier and more coherent slice of kids' entertainment." |
Derek Adams |
Tomato 4/6 |
Persepolis (2007) |
"This is a delightful, curious film that indulges in both the personal and the political and provides a potted history of modern Iran through one woman's experience." |
|
Tomato 3/5 |
Ponyo (2009) |
"See this film if you're looking to immerse yourself in a sense of delight over the simple wonders of a child's world." |
Gregory Moore |
Tomato 4/5 |
Public Enemies (2009) |
"Like Dillinger, Mann and his jangly camera live for the moment. If Public Enemies doesn't cut it as history or mythologising, it succeeds staggeringly well as a series of set pieces." |
Ben Kenisberg |
Splat 3/6 |
Quantum of Solace (2008) |
"Strange for a supposedly 'humanising' franchise, Craig's Bond comes dangerously close to being a cipher himself: only a Bourne-again, action superhero could perform his physical feats." |
Wally Hammond |
Tomato 5/6 |
Rachel Getting Married (2008) |
"Those who surrender to Demme's disarming, almost participatory technique will find themselves overwhelmed, exhilarated and inspired by the eternal possibilities of cinema." |
Tom Huddleston |
Tomato 4/6 |
The Reader (2008) |
"Its issues are infinite and moveable. It's a bold and challenging work." |
Dave Calhoun |
Splat 3/6 |
Revolutionary Road (2008) |
"While the theme of 'what are you doing with your life?' resonates, it's not much fun to watch, in spite of splendid performances from all concerned." |
Nick Dent |
Tomato 4/6 |
RocknRolla (2008) |
"Allowing for its air of laddish self-congratulation and its sad whiff of homophobia, Ritchie's film is arguably his most entertaining to date." |
Wally Hammond |
Tomato 4/5 |
Roman Polanski: Wanted and Desired (2008) |
"While not apologising for his disgusting behaviour, the film puts Polanski's actions in the context of a turbulent life." |
Nick Dent |
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