| |
|
|
|
|
|
|
|
|
 |
|
| |
B+ |
|
About a Boy (2002) |
|
"It seems Grant doesn't need the floppy hair and the self-deprecating stammers after all." | |
Carlo Cavagna | |
|
|
|
| |
2/5 |
|
About Last Night... (1986) |
|
No article available. | |
Jeff Vorndam | |
|
|
|
| |
F |
|
Adrenalin: Fear the Rush (1996) |
|
"Sample dialogue: 'Over here!' 'What?' 'Arrrg!'" | |
Carlo Cavagna | |
|
|
|
| |
4/5 |
|
The Adventures of Robin Hood (1938) |
|
No article available. | |
Jeff Vorndam | |
|
|
|
| |
A |
|
After Life (1998) |
|
"Like our most cherished memories, After Life is warm and intimate." | |
Jeff Vorndam | |
|
|
|
| |
C |
|
Alice et Martin (1998) |
|
"Oblique and random for the sake of being oblique and random... it gives you no reason to care until the film is half over" | |
Carlo Cavagna | |
|
|
|
| |
A+ |
|
Alien (1979) |
|
"...a seminal movie in the history of horror..." | |
Carlo Cavagna | |
|
|
|
| |
C |
|
Alien 3 (1992) |
|
"Generally viewed as the nadir of the Alien series." | |
Carlo Cavagna | |
|
|
|
| |
B+ |
|
Alien Resurrection (1997) |
|
"Not the best Alien film, but unquestionably the most thematically ambitious" | |
Carlo Cavagna | |
|
|
|
| |
A |
|
Aliens (1986) |
|
"Scott's tension-building atmospherics are replaced by Cameron's high-octane punch." | |
Carlo Cavagna | |
|
|
|
| |
A- |
|
All About My Mother (1999) |
|
"...bold and lively filmmaking, which plumbs jewels from cinema’s past and builds on them to resonate in new directions." | |
Jeff Vorndam | |
|
|
|
| |
C- |
|
Along Came a Spider (2001) |
|
"a slick product conceived in the executive conference room of some Hollywood studio, not in the mind of an artist" | |
Carlo Cavagna | |
|
|
|
| |
C |
|
Alvin and the Chipmunks Meet Frankenstein (1999) |
|
"Its success or failure hinges solely on the viewer's individual tolerance for the sound of The Chipmunks' voices." | |
Jen Walker | |
|
|
|
| |
A |
|
American Beauty (1999) |
|
"Elegant and gorgeous in its careful progression from satire to poignant drama, AMERICAN BEAUTY celebrates the rewards of the journey instead of glorifying the destination or the prize." | |
Dana Knowles | |
|
|
|
| |
A- |
|
American Beauty (1999) |
|
"A toothsome black comedy of mordant wit and surprising depth" | |
Jeff Vorndam | |
|
|
|
| |
A |
|
American History X (1998) |
|
"For Director Tony Kaye to disown this is irrational beyond belief" | |
Carlo Cavagna | |
|
|
|
| |
C- |
|
American Psycho (2000) |
|
"The film never connects to its underlying sadness because it's off in the vapors cavorting in a mocking tone that severs any authentic emotional attachment to its characters." | |
Jeff Vorndam | |
|
|
|
| |
B+ |
|
American Splendor (2003) |
|
"a remarkable amalgamation of the real and the fictionalized" | |
Carlo Cavagna | |
|
|
|
| |
-- |
|
American Splendor (2003) |
|
"Profile and interview: Paul Giamatti" | |
Carlo Cavagna | |
|
|
|
| |
C+ |
|
Amy's O (2002) |
|
"Amy and Matthew have a bit of a phony relationship, but the film works in spite of it." | |
Carlo Cavagna | |
|
|
|
| |
-- |
|
Amy's O (2002) |
|
"Women in Control: Writer/directors Sandra Nettelbeck and Julie Davis talk about their new films, MOSTLY MARTHA and AMY'S ORGASM" | |
Carlo Cavagna | |
|
|
|
| |
D |
|
Analyze This (1998) |
|
"Billy Crystal could turn "Othello" into an insipid, feel-good movie." | |
Carlo Cavagna | |
|
|
|
| |
B |
|
And Now for Something Completely Different (1971) |
|
"Monty Python's best known sketches reshot and compiled on film, with slight variations and occasional profanity. Great sketches, but a rather pointless exercise." | |
Carlo Cavagna | |
|
|
|
| |
3/5 |
|
Angel - Season 1 (1999-2000) |
|
No article available. | |
Jeff Vorndam | |
|
|
|
| |
D+ |
|
Angel Eyes (2001) |
|
"Mandoki probably thinks he's trafficking in archetypal themes of love and loss, but he's really just shoveling hooey." | |
Carlo Cavagna | |
|
|
|
| |
C+ |
|
Angela's Ashes (1999) |
|
"After the two and a half hour slog through every indignity and pain that poverty can lay upon a person, one wonders what the point was." | |
Jeff Vorndam | |
|
|
|
| |
D |
|
Animatrix (2003) |
|
"Far from fleshing out the universe of THE MATRIX, this cynical, self-indulgent marketing tie-in renders it less coherent. Boasts only a few memorable visual moments, and suffers from a paucity of narrative." | |
Carlo Cavagna | |
|
|
|
| |
C+ |
|
Animatrix (2003) |
|
"The Animatrix is not much more than an interesting experiment... With the exception of "Kid's Story" and "A Detective's Story," all the shorts are failures." | |
Frances Nicole Rogers | |
|
|
|
| |
B |
|
Anna and the King (1999) |
|
"the sort of film that would have contended for a Best Picture Oscar in the mid-80s and handily won in the early 60s" | |
Carlo Cavagna | |
|
|
|
| |
B+ |
|
The Anniversary Party (2001) |
|
"How do people with perfect lives find ways to live them so imperfectly, you might wonder? "The Anniversary Party" shows us, making us laugh and understand at the same time." | |
Carlo Cavagna | |
|
|
|
| |
D+ |
|
Antonia's Line (1995) |
|
"The magical realism in Antonia's Line is neither magical nor real." | |
Carlo Cavagna | |
|
|
|
| |
C |
|
Antwone Fisher (2002) |
|
"Good intentions, mediocre movie." | |
Jeff Vorndam | |
|
|
|
| |
C- |
|
Any Given Sunday (1999) |
|
"As a sensorial evocation of football, Any Given Sunday acutely captures the bestial working conditions both on and off the field. It fails, however, to tell a compelling or believable story or to provide three-dimensional characters." | |
Jeff Vorndam | |
|
|
|
| |
B |
|
Anything Else (2003) |
|
"Allen just does what he does, and he does it very well." | |
Carlo Cavagna | |
|
|
|
| |
B |
|
Anywhere But Here (1999) |
|
Click here to see the review. | |
Alison Tweedie-Perry | |
|
|
|
| |
B+ |
|
Aprile (1998) |
|
"There's a curious duality going on here as both the film and the events depicted in the film reveal an extremely self-indulgent man who believes everyone else should be as interested in himself as he is." | |
Jeff Vorndam | |
|
|
|
| |
1/5 |
|
Arachnophobia (1990) |
|
No article available. | |
Jeff Vorndam | |
|
|
|
| |
C- |
|
Arlington Road (1999) |
|
"It's impossible to reconcile the giggle-inducing style of Pellington's direction with the real issues the film addresses and come up with a coherent take on his intent." | |
Dana Knowles | |
|
|
|
| |
D- |
|
Armageddon (1998) |
|
"Armabludgeon is like a roller coast--occasionally exciting, but in the end you've been taken for a long, nauseating ride." | |
Carlo Cavagna | |
|
|
|
| |
C+ |
|
Around the Bend (2004) |
|
"Around the Bend has outstanding acting and a short running time, and still the story runs thin." | |
Carlo Cavagna | |
|
|
|
| |
-- |
|
Around the Bend (2004) |
|
"Lucas discusses working with Christopher Walken, his relationship with his father, and some unusual experiences during the making of SESSION 9." | |
Carlo Cavagna | |
|
|
|
| |
-- |
|
Around the Bend (2004) |
|
"Christopher Walken fences genially with reporters, discussing career and audience expectations, as well as his new film, Around the Bend." | |
Carlo Cavagna | |
|
|
|
| |
A- |
|
The Assassination of Richard Nixon (2004) |
|
"Few things are as exciting as watching a great actor successfully turn off the star wattage and don the skin of an utterly weak, insignificant person." | |
Carlo Cavagna | |
|
|
|
| |
C- |
|
Assassination Tango (2003) |
|
"Francis Ford Coppola suggested to his friend that he combine his love of tango with his love of filmmaking. The story doesn't seem to be thought out much beyond that." | |
Carlo Cavagna | |
|
|
|
| |
B- |
|
Assault on Precinct 13 (2005) |
|
"delivers the action movie goods [thanks to] adroit pacing...[and] a cast of extremely capable actors." | |
Carlo Cavagna | |
|
|
|
| |
D |
|
The Astronaut's Wife (1999) |
|
"The Astronaut’s Wife has a wonderful trailer that tells you everything you need to know about the film –-AVOID AT ALL COSTS." | |
Jeff Vorndam | |
|
|
|
| |
C |
|
Austin Powers: The Spy Who Shagged Me (1999) |
|
"Recycled ideas and a weaker plot" | |
Carlo Cavagna | |
|
|
|
| |
-- |
|
Auto Focus (2002) |
|
"Men Behaving Badly: The directors and stars of AUTO FOCUS and ROGER DODGER discuss their new films." | |
Carlo Cavagna | |
|
|
|
| |
B+ |
|
Auto Focus (2002) |
|
"Instead of hitting the audience over the head with a moral, Schrader relies on subtle ironies and visual devices to convey point of view." | |
Carlo Cavagna | |
|
|
|
| |
D- |
|
The Avengers (1998) |
|
"Even with extensive use of the rewind function on my VCR, I couldn't piece the story together" | |
Carlo Cavagna | |
|
RT Loves Jenna - The Video Interview(cms programmed)!
IGN RSS Feeds
