|
57%
|
Castle Freak (2000)
|
|
|
|
——
|
And Soon the Darkness (1971)
|
|
|
|
——
|
Resurrection County (2008)
|
|
|
|
80%
|
Vampire Circus (1972)
|
|
Michael Helms
|
|
78%
|
Twins of Evil ()
|
|
Michael Helms
|
|
——
|
Hands of the Ripper (1971)
|
|
Michael Helms
|
|
——
|
The Strange Case of Dr. Jekyll and Mr. Hyde (2006)
|
|
|
|
——
|
Snuff (American Cannibale) (1976)
|
|
David Michael Brown
|
|
——
|
Spontaneous Combustion (1990)
|
|
|
|
——
|
Villain (1971)
|
|
|
|
——
|
Bohachi Bushido: Code of the Forgotten Eight (Bôhachi bushidô: Poruno jidaigeki) (2008)
|
|
Michael Helms
|
|
70%
|
The Silent House (2011)
|
|
|
|
——
|
Demoni 3 (Black Demons)(Black Zombies) (2005)
|
|
|
|
100%
|
M (1931)
|
|
Michael Helms
|
|
84%
|
Down Terrace (2010)
|
|
|
|
——
|
The Open Door (2009)
|
|
|
|
——
|
Mad Ron's Prevues From Hell (2010)
|
|
David Michael Brown
|
|
89%
|
Cache (Hidden) (2005)
|
|
David Michael Brown
|
|
85%
|
Essential Killing (2012)
|
|
|
|
86%
|
Buried (2010)
|
|
|
|
——
|
Blue Sunshine (1976)
|
|
Michael Helms
|
|
——
|
Blue Sunshine (1976)
|
|
David Michael Brown
|
|
43%
|
Dolemite (1975)
|
|
David Michael Brown
|
|
——
|
Malice@Doll (2004)
|
|
|
|
——
|
Los Violadores (Mad Foxes) (2003)
|
|
|
|
——
|
Se sei vivo spara (Django Kill - If You Live, Shoot!) (1967)
|
|
David Michael Brown
|
|
——
|
Mickey's House of Villains (2002)
|
|
|
|
71%
|
The Monster Club (1980)
|
|
Michael Helms
|
|
52%
|
Devil (2010)
|
|
|
|
——
|
Vampyres (1974)
|
|
David Michael Brown
|
|
55%
|
Xing xing wang (The Mighty Peking Man) (Colossus of Congo) (Goliathon) (1978)
|
|
Michael Helms
|
|
98%
|
The Loved Ones (2012)
|
|
|
|
——
|
Men Suddenly In Love ()
|
"Lacking wit, panache, structure and the barest of true-to-life characterisations, Wong's boorish clash-of-the-sexes farce offers endless shots of cleavage but little else."
|
Simon Foster
|
|
36%
|
The Butcher, The Chef And The Swordsman (2011)
|
"It is hard to say how much influence (Doug) Liman had over the finished product, but the already jittery directorial eye of Wuershan may have been better served by a collaborator who favours a less-is-more approach."
|
Simon Foster
|
|
67%
|
Endhiran (2010)
|
"Imagine the worst bits of Alex Proyas' I, Robot (2004) and Robert Greenwald's Xanadu (1980), cobbled together with a dash of Shaw's Pygmalion, and you get some grim picture as to what S. Shankar's grating extravaganza Robot has to offer."
|
Simon Foster
|
|
82%
|
Trollhunter (2011)
|
"The Troll Hunter is refreshingly devoid of pretension, jettisoning all self-aware smugness (the downfall of Matt Reeve's similarly-constructed Cloverfield, 2008) in favour of being the best darn monster yarn it can be."
|
Simon Foster
|