|
80%
|
Ashes of Time (2008)
|
|
Mike D'Angelo
|
|
87%
|
Pi (1998)
|
|
Mike D'Angelo
|
|
88%
|
Henry Fool (1998)
|
|
Mike D'Angelo
|
|
68%
|
The Crucible (1996)
|
|
Mike D'Angelo
|
|
38%
|
Two Deaths (1995)
|
|
Mike D'Angelo
|
|
91%
|
The Apostle (1998)
|
|
Mike D'Angelo
|
|
88%
|
Boys Don't Cry (1999)
|
|
Mike D'Angelo
|
|
100%
|
Maboroshi no hikari (Maborosi) (Illusion) (1995)
|
|
Mike D'Angelo
|
|
71%
|
eXistenZ (1999)
|
|
Mike D'Angelo
|
|
74%
|
Mystery Science Theater 3000: The Movie (1996)
|
|
Mike D'Angelo
|
|
96%
|
Chungking Express (1996)
|
|
Mike D'Angelo
|
|
95%
|
Fireworks (Hana-bi) (1997)
|
|
Mike D'Angelo
|
|
41%
|
The Ninth Gate (1999)
|
|
Mike D'Angelo
|
|
90%
|
Gabbeh (1997)
|
|
Mike D'Angelo
|
|
95%
|
Best in Show (2000)
|
|
Mike D'Angelo
|
|
86%
|
A Merry War (Keep the Aspidistra Flying) (1998)
|
|
Mike D'Angelo
|
|
56%
|
Velvet Goldmine (1998)
|
|
Mike D'Angelo
|
|
73%
|
Cyclo (1996)
|
|
Mike D'Angelo
|
|
89%
|
Trainspotting (1996)
|
"Trainspotting is cranked up to eleven, and is consequently getting plenty of attention, but it ain't signifyin' much, and would have been more entertaining at half the volume."
|
Mike D'Angelo
|
|
50%
|
Any Given Sunday (1999)
|
"FOOTBALL! MEN! TESTOSTERONE! COLLIDING BODIES! HIGH-DECIBEL PACINO! RAGE AGAINST THE MACHINE! CUT! CUT! CUT!"
|
Mike D'Angelo
|
|
89%
|
One True Thing (1998)
|
|
Mike D'Angelo
|
|
62%
|
Arlington Road (1999)
|
|
Mike D'Angelo
|
|
63%
|
Kansas City (1996)
|
"{Kansas City] is unique among Altman's recent films: neither superb nor mesmerizingly awful, it is simply boring."
|
Mike D'Angelo
|
|
——
|
Invasion! (1999)
|
|
Mike D'Angelo
|
|
88%
|
Un Air De Famille ( Family Resemblances) (1998)
|
"It's a well-oiled comedy machine in which every line of dialogue, every gesture, every apparently random event is a carefully-placed cog."
|
Mike D'Angelo
|
|
85%
|
Crna macka, beli macor (Black Cat, White Cat) (1999)
|
|
Mike D'Angelo
|
|
51%
|
Cecil B. Demented (2000)
|
|
Mike D'Angelo
|
|
51%
|
Waking the Dead (2000)
|
"Yadda-blah."
|
Mike D'Angelo
|
|
86%
|
Anastasia (1997)
|
|
Mike D'Angelo
|
|
100%
|
Forgotten Silver (1997)
|
"Slight but agreeable, and at just slightly over an hour it doesn't remotely wear out its welcome."
|
Mike D'Angelo
|
|
——
|
The Bloody Child (1996)
|
|
Mike D'Angelo
|
|
93%
|
James and the Giant Peach (1996)
|
|
Mike D'Angelo
|
|
43%
|
The Portrait of a Lady (1996)
|
|
Mike D'Angelo
|
|
——
|
Clara Hakedosha (Saint Clara) (2007)
|
|
Mike D'Angelo
|
|
96%
|
Gods and Monsters (1998)
|
|
Mike D'Angelo
|
|
57%
|
The Life of Jesus (1997)
|
|
Mike D'Angelo
|
|
74%
|
Afterglow (1997)
|
|
Mike D'Angelo
|
|
63%
|
Contact (1997)
|
|
Mike D'Angelo
|
|
77%
|
The Eel (Unagi) (1998)
|
|
Mike D'Angelo
|
|
77%
|
Gladiator (2000)
|
"Simply the most satisfying and invigorating big-budget summer event movie in years..."
|
Mike D'Angelo
|
|
56%
|
Mumford (1999)
|
|
Mike D'Angelo
|
|
86%
|
Conspirators of Pleasure (1997)
|
|
Mike D'Angelo
|
|
67%
|
The Rock (1996)
|
|
Mike D'Angelo
|
|
67%
|
Tango (1998)
|
|
Mike D'Angelo
|
|
75%
|
Besieged (1999)
|
"A case of dazzling style married to disappointing substance."
|
Mike D'Angelo
|
|
79%
|
Grosse Pointe Blank (1997)
|
|
Mike D'Angelo
|
|
92%
|
New Waterford Girl (2000)
|
|
Mike D'Angelo
|
|
96%
|
The Wind Will Carry Us (2000)
|
|
Mike D'Angelo
|
|
80%
|
The Tao of Steve (2000)
|
|
Mike D'Angelo
|
|
100%
|
The Sweet Hereafter (1997)
|
|
Mike D'Angelo
|