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About Adam (2001) |
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"Once you succumb to the picture's gentle rhythm and quirky sense of humour, you're sure to find it beguiling, intriguing and over too soon." | |
Neil Smith | |
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American Psycho (2000) |
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"Bale has never been better." | |
Simon Wardell | |
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Battlefield Earth (2000) |
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"Big-budget, little-intelligence entertainment." | |
Lisa Andrews | |
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The Beach (2000) |
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"A kind of adventure holiday for the MTV generation rather than a cautionary tale of a society that turns in on itself." | |
Monika Maurer | |
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Book of Shadows: Blair Witch 2 (2000) |
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"While it's not as clever as it thinks it is, it's considerably better than we had any right to expect." | |
Robin Askew | |
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Bridget Jones' Diary (2001) |
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"Faithful to its source, perfectly cast and even funnier than the book." | |
Jane Crowther | |
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Captain Corelli's Mandolin (2001) |
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"There are some great set-pieces and comic moments and enough drama and beauty for some pleasant escapism." | |
Francesca Franklyn | |
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Chicken Run (2000) |
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"It all builds to a fabulously frantic, hilarious action-packed climax." | |
Robin Askew | |
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Crouching Tiger, Hidden Dragon (1999) |
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"Love, pathos, fear and humour are all brilliantly evoked -- for this is not simply a great martial arts movie, this is an Ang Lee film." | |
Monika Maurer | |
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Enemy at the Gates (2001) |
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"Works as both a compelling thriller and engaging romance." | |
Ian Johnston | |
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Evolution (2001) |
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"The funniest summer blockbuster since Men In Black." | |
Adrian Hennigan | |
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The Family Man (2000) |
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"While it may be wholly unoriginal The Family Man is also surprisingly touching and funny." | |
Monika Maurer | |
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Gladiator (2000) |
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"A triumph!" | |
Peter Hill | |
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In the Mood for Love (2001) |
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"A feast for the eyes and -- with a Nat King Cole vocal refrain -- also the ears." | |
Monika Maurer | |
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Jurassic Park III (2001) |
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"Effective enough to pass the time." | |
Joel Crawley | |
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Memento (2001) |
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"This is virtuoso filmmaking, stylistically dazzling and head-scratchingly intricate." | |
Stephen Applebaum | |
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The Million Dollar Hotel (2001) |
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"Vacuous, tedious, pretentious and featuring some uniformly atrocious acting." | |
Ian Johnston | |
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One Night at McCool's (2001) |
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"Funny and imaginative." | |
Monika Maurer | |
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Sexy Beast (2001) |
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"Glazer insists on using inadvisable fantasy images, and it becomes clear that the film has been haphazardly restructured." | |
Ian Johnston | |
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Snatch (2001) |
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"At least Ritchie's leanly plotted, briskly directed yarn is more entertaining than all the other Brit gangster flicks that trailed in the wake of Lock, Stock." | |
Robin Askew | |
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What Women Want (2000) |
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"Makes for passable entertainment." | |
Monika Maurer | |
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