|
80%
|
Cinderella Man (2005)
|
"[Giamatti] does an outstanding job keeping the story buoyant; he does the fancy footwork while Crowe displays the muscle and here the dance is more entertaining than the punch."
|
Christopher Campbell
|
|
75%
|
Crash (2004)
|
|
Chris Knipp
|
|
70%
|
À tout de suite (Right Now) (2005)
|
|
Shari L. Rosenblum
|
|
87%
|
3-Iron (2004)
|
|
Howard Schumann
|
|
42%
|
Kicking & Screaming (2005)
|
"Plenty of chuckles and charm to keep the ball rolling."
|
Mark Sells
|
|
92%
|
Saraband (2003)
|
|
Chris Knipp
|
|
87%
|
Comme une Image (Look at Me) (Like an Image) (2005)
|
|
Shari L. Rosenblum
|
|
88%
|
Turtles Can Fly (Lakposhtha hâm parvaz mikonand) (2005)
|
|
Chris Dashiell
|
|
100%
|
Imitation of Life (1934)
|
|
Chris Dashiell
|
|
72%
|
William Shakespeare's The Merchant of Venice (2004)
|
|
Howard Schumann
|
|
57%
|
Ils se marièrent et eurent beaucoup d'enfants (...And They Lived Happily Ever After) (2005)
|
|
Shari L. Rosenblum
|
|
——
|
Bangiku (Late Chrysanthemums) (1954)
|
|
Chris Dashiell
|
|
100%
|
Footlight Parade (1933)
|
|
Chris Dashiell
|
|
90%
|
Le Feu follet (A Time to Live and a Time to Die) (The Fire Within) (1963)
|
|
Chris Dashiell
|
|
86%
|
The River (1959)
|
|
Howard Schumann
|
|
46%
|
The Ballad of Jack and Rose (2005)
|
|
Chris Knipp
|
|
47%
|
Don't Move (Non ti muovere) (2004)
|
|
Chris Knipp
|
|
75%
|
The Upside of Anger (2005)
|
|
Shari L. Rosenblum
|
|
94%
|
Ma Nuit chez Maud (My Night at Maud's ) (My Night with Maud) (1970)
|
|
Howard Schumann
|
|
78%
|
Sin City (2005)
|
|
Chris Knipp
|
|
——
|
Una Breve Vacanza (A Brief Vacation) (1973)
|
|
Chris Dashiell
|
|
90%
|
L' Amour l'Après-Midi (Chloe in the Afternoon) (Love in the Afternoon) (1972)
|
|
Howard Schumann
|
|
——
|
What Remains of Us ()
|
|
Howard Schumann
|
|
70%
|
The Panic in Needle Park (1971)
|
|
Les Phillips
|
|
70%
|
Silent Waters (2004)
|
|
Howard Schumann
|
|
99%
|
Moolaadé (2004)
|
|
Chris Dashiell
|
|
56%
|
Northfork (2003)
|
|
Howard Schumann
|
|
91%
|
Downfall (Der Untergang) (2004)
|
|
Shari L. Rosenblum
|
|
72%
|
Walk on Water (2005)
|
|
Howard Schumann
|
|
83%
|
Underworld (1927)
|
|
Chris Dashiell
|
|
——
|
Bachelor Mother (1939)
|
|
Chris Dashiell
|
|
89%
|
Camera Buff (1980)
|
|
Chris Dashiell
|
|
68%
|
The Chorus (Les Choristes) (2005)
|
|
Chris Knipp
|
|
67%
|
Notre Musique (2004)
|
|
Chris Dashiell
|
|
10%
|
The Wedding Date (2005)
|
|
Shari L. Rosenblum
|
|
69%
|
Hitch (2005)
|
|
Shari L. Rosenblum
|
|
93%
|
Nobody Knows (Dare mo shiranai) (2004)
|
|
Howard Schumann
|
|
100%
|
Shadows (1959)
|
|
Chris Dashiell
|
|
96%
|
Born Into Brothels: Calcutta's Red Light Kids (2004)
|
|
Chris Knipp
|
|
100%
|
Counsellor at Law (1933)
|
|
Chris Dashiell
|
|
——
|
7 Up! (1964)
|
|
Chris Dashiell
|
|
75%
|
The Long Day Closes (1992)
|
|
Chris Dashiell
|
|
94%
|
Scener ur ett äktenskap (Scenes from a Marriage) (1973)
|
|
Chris Dashiell
|
|
88%
|
Bad Education (La Mala educación) (2004)
|
|
Howard Schumann
|
|
65%
|
Coach Carter (2005)
|
|
Shari L. Rosenblum
|
|
68%
|
The Assassination of Richard Nixon (2004)
|
|
Chris Knipp
|
|
60%
|
Assault on Precinct 13 (2005)
|
|
Ed Owens
|
|
56%
|
Rosenstrasse (2004)
|
|
Howard Schumann
|
|
68%
|
Closer (2004)
|
|
Chris Knipp
|
|
83%
|
In Good Company (2004)
|
|
Anne Gilbert
|