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• Mark Dujsik

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( a ) b c d e f g h i j k l m n o p q r s t u v w x y z Other   (1-40) of 40 614 Total
  

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4/4
     A.I. Artificial Intelligence (2001)      "My first impression of the ending was that it was too sentimental, yet upon another viewing, I had a completely different reaction--utter appreciation of a work of beauty."       Mark Dujsik  
  
1/4
     The Abandoned (2007)      "As the heroine wanders around her old, rundown childhood home, the movie itself wanders, trying to find its purpose, meaning, and even, it seems, a worthwhile starting point."       Mark Dujsik  
  
3.5/4
     About a Boy (2002)      "Contains a generous amount of humor, but it all stems from the film’s characters and the truth of its scenario and execution."       Mark Dujsik  
  
3.5/4
     About Schmidt (2002)      "Humorous and, at the same time, incredibly sad because we see a bit -- or maybe even a lot -- of [Schmidt] in ourselves."       Mark Dujsik  
  
1/4
     Across the Universe (2007)      "A monumental miscalculation of a musical."       Mark Dujsik  
  
1.5/4
     Adam Sandler's Eight Crazy Nights (2002)      "It’s definitely not made for kids or their parents, for that matter, and I think even fans of Sandler’s comic taste may find it uninteresting."       Mark Dujsik  
  
3/4
     Adaptation (2002)      "Part of me wants to acknowledge that Kaufman’s script is inherently lazy, but then I think... it’s more or less the work of a genius."       Mark Dujsik  
  
1.5/4
     After the Sunset (2004)      "All polish trying to cover up an unsanded surface."       Mark Dujsik  
  
2/4
     Agent Cody Banks (2003)      "Fairly typical and overly gadget-oriented spy business."       Mark Dujsik  
  
1.5/4
     Alex and Emma (2003)      "I don’t care. Why should I care?"       Mark Dujsik  
  
1/4
     Alexander (2004)      "Makes you wonder where [Alexander] found the time, what with all the moments of self-doubt and blubbering—oh, the endless blubbering."       Mark Dujsik  
  
2.5/4
     Ali (2001)      "There’s great material here, but the end result plays like a highlight reel--an intriguing introduction to a man’s life for people not fully acquainted with it."       Mark Dujsik  
  
0/4
     Aliens Vs. Predator: Requiem (2007)      "Not so much a movie as much as it is a series of blurs and shapes moving quickly across a screen."       Mark Dujsik  
  
3/4
     All or Nothing (2002)      "There’s an extended scene (the film’s penultimate one) in the family’s apartment with a level of verisimilitude that I doubt I’ll ever forget."       Mark Dujsik  
  
0/4
     Alone in the Dark (2005)      "If someone recommends you see Alone in the Dark, assume that person hates you or at least dislikes you."       Mark Dujsik  
  
2/4
     Along Came a Spider (2001)      "Gives Morgan Freeman a chance to once and for all prove that he could walk through a garbage heap and convince you it smells nice."       Mark Dujsik  
  
2.5/4
     Alpha Dog (2007)      "Cassavetes' script buries a lot of character and thematic ambitions in the facts of the case."       Mark Dujsik  
  
1/4
     Alvin and the Chipmunks (2007)      "Soul-numbing."       Mark Dujsik  
  
3.5/4
     Amelie (2001)      "A joyous and visually inspired work filled with as much imagination as the title character’s world allows--which just so happens to be a lot."       Mark Dujsik  
  
2/4
     America's Sweethearts (2001)      "There have been a lot of movies about how fake Hollywood is, but this is the fake Hollywood movie about how fake Hollywood is."       Mark Dujsik  
  
3/4
     American Gangster (2007)      "A finely weaved tapestry of absolute corruption and its effects on the key players and those unlucky souls caught in the crossfire."       Mark Dujsik  
  
1.5/4
     American Outlaws (2001)      "At its best, American Outlaws is absurd; at its worst, it’s tedious and laughable."       Mark Dujsik  
  
3/4
     American Pie 2 (2001)      "The gags are rude and crude, but they never bail out in fear of offending, and frankly, it’s funny."       Mark Dujsik  
  
2.5/4
     American Wedding (2003)      "We may be saying goodbye to these likable dopes, but we also can't help but think that they deserve a better send off."       Mark Dujsik  
  
3/4
     Amores Perros (2001)      "Even with its flaws, it will be hard to find a film with as many complex characters inhabiting its world as this."       Mark Dujsik  
  
1.5/4
     Analyze That (2002)      "The first film focused on the relationship between Vitti and Sobel and pulled its humor primarily from it. This one is all over the place."       Mark Dujsik  
  
2/4
     Andrew Lloyd Webber's The Phantom of the Opera (2004)      "Welcome to the world of Andrew Lloyd Webber, where an entire libretto is derived from variations on five songs."       Mark Dujsik  
  
2/4
     Anger Management (2003)      "The comedy shifts focus from the character mismatch to Sandler alone, and the movie itself transforms into a typical Sandler comedy, complete with random jokes and mushy, false sentimentality."       Mark Dujsik  
  
2.5/4
     Annapolis (2006)      "Less inspired by recruitment videos than it is by Rocky."       Mark Dujsik  
  
1.5/4
     Antitrust (2001)      "The climax actually pits Milo against Winston in a typing contest. If that sounds thrilling, this may be the movie you’ve been waiting for."       Mark Dujsik  
  
3/4
     Antwone Fisher (2002)      "Is Antwone Fisher’s story inspirational? Yes. Does he need to repeatedly tell us just how inspirational it is? No, but he does anyway. That’s what keeps the film from standing tall."       Mark Dujsik  
  
1/4
     Aqua Teen Hunger Force Colon Movie Film For Theatres (2007)      "I like "Aqua Teen Hunger Force" as it's meant to be taken: in small, under-15-minute spurts."       Mark Dujsik  
  
2/4
     Arthur and the Invisibles (2007)      "A movie with imaginative elements but little imagination."       Mark Dujsik  
  
2/4
     The Assassination of Jesse James by the Coward Robert Ford (2007)      "I love the tone writer/director Andrew Dominik establishes in the film; it's the dragging-it-out-to-160-minutes part that gets me down."       Mark Dujsik  
  
3/4
     Assault on Precinct 13 (2005)      "There's a sense that almost anything could happen."       Mark Dujsik  
  
3.5/4
     The Astronaut Farmer (2007)      "Sure, characters spout inspirational lines left and right, but its warm, cozy, and sometimes renegade vibe is utterly contagious."       Mark Dujsik  
  
2.5/4
     Atonement (2007)      "I'm sure it works on the page, but on screen, it gets clunky, especially in the epilogue, which hardly packs the intended emotional punch as a result."       Mark Dujsik  
  
1.5/4
     August Rush (2007)      "Saying August Rush is contrived is like saying that, in terms of continents, Asia is pretty big."       Mark Dujsik  
  
2.5/4
     Austin Powers in Goldmember (2002)      "There’s a lot of good material here, but there’s also a lot of redundancy and unsuccessful crudeness accompanying it."       Mark Dujsik  
  
4/4
     The Aviator (2004)      "In the hands of Martin Scorsese, the story of Howard Hughes becomes a great American tragedy."       Mark Dujsik  

  
( a ) b c d e f g h i j k l m n o p q r s t u v w x y z Other   (1-40) of 40 614 Total
  
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