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In the age of the dying slasher sub-genre, Scream has done well when executing clever kills with a mix of suspense and witty dialogue, making this a film that helped potentially revive the genre at a time where it needed to be medicated.
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Reading like a fairy tale a riddled with beautiful visuals and style to spare, Edward Scissorhands is a fantastic romantic drama about combining the good and evil in ourselves to overcome any bad situation in our lives, plus a guy with scissors for hands.
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Aside from jump-scares, A Nightmare on Elm Street doesn't give us that natural fear-filled feeling we had when watching the original, no matter how inventive the scenes are or how hard it tries to be different from the film it's remaking.
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This psychological masterpiece comes from a powerful place, fear in the mind, where most of us live in, day to day, and with superb performances by Heather Langenkamp, Amanda Wyss and Robert Englund, and brilliant direction by Wes Craven, this film will forever belong in the Horror Film Hall of Fame.
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As a stand-alone film, Let Me In does itself justice bringing back the romance and fear that invoked many from the previous class of vampire romances that film lovers couldn't possibly forget.
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The interesting premise and esteem visual style cannot save this film from its terribly executions that run throughout the film such as boring dialogue and a case of uneven storytelling.
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Unlike the gore-thirsty fans of the films, one cannot simply watch within this franchise without expecting the same delicious gore, but with strong dialogue, witty kills, and an even more interesting take on "defeating death" presented through actors who have successfully hit the mark numerous times, FD5 for film-goers and fans alike, have helped in reviving within this series what its predecessor had left us.
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By now, the plot of this series is predicted to never change, and we shouldn't expect it too. So, with that aside, FD3's different yet snaky style of film-making and tightly-written dialogue has proved itself to be the best out of its once-upon-a-time trilogy.
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With plenty of new characters compared to its previous film, this installment to the Final Destination franchise evens itself out with its constructive pros being cunning kills and strongly-written dialogue and its destructive cons being the exhausted storytelling and less than "okay" attempt at character development. Still, an improvement to its prequel nonetheless.
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As inventive as ever, Final Destination engrosses within itself a barrage of clever deaths that keep this film from dying of poor execution and rather baneful acting.
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