Posted on 2/04/13 03:32 PM
During the first intermission of a ballet in Nurnberg, students and other members of the audience retire across the street to a tavern for a quick beer before Act 2. While there, Hoffman(Robert Rounseville) starts to tell his stories of woe. So compelling are they, that his audience decides to skip the rest of the ballet, with the pipes being broken out, to hear what else he has to say; starting in Paris before the Eiffel Tower was built where he encountered Olympia(Moira Shearer).
"The Tales of Hoffman" is a highly entertaining mix of ballet and opera, where Moira Shearer dances her legs off while everybody else sings their hearts out. Visually, Michael Powell and Emeric Pressburger pull out all the stops with the aid of cinematographer Christopher Challis who makes the perfect use of Techicolor for these dreamlike fantasia, each set in a different locale. As such as the movie is about the different expressions of art(Hoffman is a famed poet by the end), these settings also resemble paintings and are works of art in themselves. It is no wonder then that Hoffman gets so lost in them, missing what is right in front of him all the time, the constant companionship of his faithful friend Nicklaus(played by Pamela Brown, thus even adding a bit of genderblending into the equation) through thick and thin.