Posted on 1/08/13 06:38 AM
You really should turn your nose up at End of Watch, but you can't help but be captivated by it. It's made up of pretty much every cop movie cliché going, and you've seen the plot more than a few times before. And yet, the bits that seem like they've been cut and pasted from other films are the real highlights. Quentin Tarantino is a master at this - making constant homages to other films, while still writing and directing them in a way only he can.
What's even more surprising is that the version of End of Watch we see on the big screen is the product of a director losing his nerve. Originally, the plan was to make the film entirely from the viewpoint of the camera owned by officer Brian Taylor (Jake Gyllenhaal), who's making what presumably is an illegal documentary. This reduces the scope of the film considerably, so it's not surprising that the director David Ayer couldn't follow through on the stylistic premise. It just doesn't make sense that Taylor would film everything; the big plot hole in most found footage films. In terms of style, the end result is rather inconsistent, but by allowing the camera to move more freely, Ayer's film is able to accomplish much more.
End of Watch really is part of the new cop drama style that has drifted through both film and television over the past few years. While we used to be captivated by the procedurals that showed us the science and the method in police work, we're now much more interested in the people who wear the uniform on a day-to-day basis. This is why End of Watch works so well; it takes place during the highest moments of genuine human drama.
Read the full review at: http://www.city-connect.org/film-review-end-of-watch/