To many, Davi is best known for playing the bad guy. Jake Fratelli in The Goonies. Franz Sanchez in License to Kill. Aziz in An American Carol. He’s also been on the other side of the law as FBI Special Agent Johnson in Die Hard and Agent Bailey Malone in Profiler. In The Dukes Davi plays “Danny DePasquale,” a former Doo Wop singer whose time in the spotlight has passed. He is now working in his aunt’s failing restaurant. The Dukes is Davi’s debut as a writer and director.



“Directing is a way for me to open that book andexpress to the world much more of who I am and what I would like to say,” said Davi.



Like many of Davi’s roles, Danny has an edge. Danny’s Doo Wop group, The Dukes, once commanded large crowds, but after many decades pass, this now middle-aged guy finds himself unable to provide for his son. He tells his friends, “We’re not looking for jobs, we’re looking for money.”



When a man driving a Rolls Royce passes by, his friends imagine themselves in the driver’s seat. Danny sees his son and his ex-wife with her new boyfriend at the wheel. Danny has lost hope in his American Dream. Davi said:



“I wanted to tell a story for the every manbut with a light touch. By having a Doo Wop group, whose music is no longer seemingly relevant, parallel an industrial world changing to a technological one, I am able to explore the intricacies of re-defining oneself, dealing with lost fame and holding on to your true self in changing times through music and humor.”





In one of his most enjoyable on-screen performances, Chazz Palminteri plays George Zucco, a fellow “Duke” with perfect timing and the virility of a typical Italian man. Following a threat to George’s mojo – his smile – he and Danny find a new opportunity for The Dukes. They plan a heist to steal thousands and thousands of dollars worth of the dentist’s gold.



You can’t help but cheer for Danny because his desperation means that maybe all is not lost and there’s still some hope, not for stardom, but to do what he loves. It’s also worth mentioning that The Dukes has a wonderful soundtrack of Doo Wop and Italian classics, including a performance from Davi himself.



Writing about The Dukes is a struggle. As with any good story, one wants to share everything – the clever repartee between Davi and Palminteri, the many facets you notice after watching it two or three times, the police raid, the incredible case, the ending!


Davi’s The Dukes, which opens nationally on November 21, has racked up numerous awards, including the Jury Prize for Best Screenplay at the Monte-Carlo Film Festival, the Queens Spirit Award for Best Producer and Best Director, among others. Rarely is a movie with this pedigree able to be enjoyed by such a broad audience, but The Dukes tells a wonderful story. Its message is universal – if you wait for perfection, you’ll miss your chance.

Full review here: http://townhall.com/Columnists/LisaDePasquale/2008/11/14/davi%E2%80%99s_passion_for_politics_and_movie_making