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    Janson Jinnistan Last Login: 5/23/13

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    Janson Jinnistan
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    PROFILE STATS

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    ABOUT

    Member Since
    August 2011

    REVIEWS SNAPSHOT

    Reviews Written:
    53
    • Highest Voted
    • Lowest Voted
     
     
     
     
    Votes
    +7 +13 / -6
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    The Shining (1980)
    100%

    Stephen King is a bit of a moron. True, "Shining" is one of the great novels of the latter 20th Century (but, really, what does that say?). But I go... More

    4 Comments

     
     
    Votes
    -8 +3 / -11
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    The Help (2011)
    20%

    Man, I wish I was reviewing The Beatles film instead.

    Enormously ignorant. The arrogance with which this film's supporters wish to push ACTUAL his... More

    0 Comments

    REVIEWS

     
     
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    Showing 1 - 10 of 53 Reviews
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    Votes
    +3 +5 / -2
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    The Master (2012)
    Genre:
    Drama
    100%

    Posted on 2/24/13 12:52 PM

    "When I reach for it, my hand closes on air" - Roger Ebert

    Much like the fleeting sanctuaries of women made of sand that Phoenix's Freddie Quell lies with on the beach. And much like the ultimate hot air of the feet-of-clay Master Lancaster Dodd (PS Hoffman), as shiny and welcoming as a pearly gate, with nothing much inside. Freddie is a deeply wounded man (whether war or love) who is desperate for meaning in his increasingly self-destructive life. Dodd is the narcissistic doctor, desperate to validate the meaning of his medicine. The actual snake-oil of his "philosophy" or "religion" is beside the point. The film is clever to not spend much time examining the empty rhetoric. The point is control and catharsis. Dodd is attempting to control reality through his own definition of it, fortified by the belief of disciples. The film exposes a void, a spiritual emptiness, the search and manipulation of meaning, and finally, the rejection of the possibility of an absolute ANSWER, which is the counterfeit currency of every guru. The audience is similarly denied, and this empty fist full of hot air is exactly the result.

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    Sean D.

    Sean D. on 3/13/13 at 06:33 PM

    It felt at times like an essay where the author beats you over the head with an obvious argument. That said, I absolutely, wholeheartedly loved this movie.

    1 Replies | Report Abuse

    Janson Jinnistan

    Janson Jinnistan on 3/13/13 at 07:29 PM

    I wouldn't call it "obvious", but I had less trouble finding the meaningful themes than so many of its critics who insist it's empty. I think Andrew O'Heier (at Salon) basically accused anyone who thought it meant "something" of lying.

    0 Replies | Report Abuse

     
     
    Votes
    +1 +5 / -4
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    Moonrise Kingdom (2012)
    Genre:
    Comedy
    90%

    Posted on 2/24/13 12:24 PM

    Wes Anderson is a master of melancholic whimsy. All of his films drip with a raw sweetness and wild sorrow. He's smart enough not to wallow, but instead triumph in a self-conscious absurdity. To quote Hitchcock, these aren't slice of life films, they're slice of cake films, except the cake usually ends up on everyone's faces. And, of course, everyone is terribly deadpan about it.

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    Sean D.

    Sean D. on 3/13/13 at 06:35 PM

    The sweetest and happiest film of the year in my opinion.

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    Votes
    +3 +5 / -2
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    Django Unchained (2012)
    Genre:
    Western
    90%

    Posted on 2/24/13 12:18 PM

    Tarantino will never grow up, and we just have to get used to that. However, it's always undeniable that he has an uncanny talent to make rollicking, exuberantly entertaining films, and this is one of the best of his recent revenge fantasies. Along with his commitment to gorgeous film photography, he evokes some incredible performances from his actors (especially Samuel Jackson's bitter and twisted Amos Rucker-type Stephen, named after Fetchit, I presume) and handles each scene's tension with superb control. As long as you stay away from QT's interviews, you probably won't even know what an asshole he is.

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    Votes
    -2 +2 / -4
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    Killing Them Softly (2012)
    Genre:
    Drama
    90%

    Posted on 2/24/13 12:06 PM

    A dark and flinchless tale of American political and business cynicism. Due to poor marketing, the film confused audiences expecting action (the shotgun on the poster didn't help) or humor (it's too dark to laugh at), or the stylistic flatulence of a sub-Tarantino knock off (ala Ritchie, Carnahan, Limon, or any other faceless flasher). Instead, we get something closer to 70s Lumet, with black granite realism, dialogue-rich actor-driven set pieces, and a brutal and illusion-shattering attitude toward American morality. A brilliant film, with impeccable performances.

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    Votes
    +1 +3 / -2
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    Holy Motors (2012)
    Genre:
    Drama
    90%

    Posted on 2/24/13 11:50 AM

    Something of a modern day Fellini, this fascinating, perplexing film is exactly what great cinema should be. Personal and surreal, with identity and desire the "engines" of the title, the film is a celebration of art - reflective and impulsive. An unforgettable emetic for bellies stuffed with studio formula.

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    Votes
    0 +1 / -1
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    Amour (2012)
    Genre:
    Art House & International
    60%

    Posted on 2/20/13 07:34 PM

    Keeping score, that's one star for Riva, one star for Trintignant, and one star for Haneke's hubris in keeping his post-aesthetic fans fooled. The acting is excellent, even Hubbert (as always) - tour de forces all around. Meanwhile, Haneke's hyperseptic, cold and clinically cruel tone adds nothing but formaldehyde. Haneke has already admitted that the title is meant to be ironic, revealing that rather than having no sense of humor (as he's been accused), he has a rather poor one.

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    Sean D.

    Sean D. on 3/13/13 at 06:37 PM

    I have yet to see any of Haneke's films. But from what I have heard of them, dude needs a hug or something.

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    Votes
    +3 +3 / -0
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    Life of Pi (2012)
    Genre:
    Drama
    90%

    Posted on 2/20/13 07:23 PM

    I haven't read the book (upfront disclosure). That may explain why I find the philisophical themes of the film about as profound as a Deepak Chopra bag of fortune cookies. More importantly - who cares, in a film as lusciously filmed as this one? Ang Lee translates the transcendence non-verbally in a far more satisfying way than the available script. Lee still gets crap jokes about his Shrek-on-steroids "Hulk" and stuff about Brokeback Dragons, but he consistently proves himself to be one of the most visionary directors working today. I'm hoping this will mark his second Oscar, and I hope Affleck takes notes.

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    Votes
    +1 +2 / -1
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    Silver Linings Playbook (2012)
    Genre:
    Comedy
    80%

    Posted on 2/20/13 07:14 PM

    As far as neurotic comedies go, this is much better than most of the dry festival dysfunctions that have become ubiquitous. It's also better than something as stunted as "Little Miss Sunshine", even if it follows more or less the same formula. Credit must be given to director David O. Russell, slowly finding his voice among the "eccentrics" (his peers PT and Wes Anderson, Charles Kaufman, Alexander Payne, etc), but still not quite a distinct, definitive voice yet. Perhaps more credit needs to go to the awesome Miss Lawrence, a natural star, and the spunky spirit that elevates the film. My glib comparison would be "Garden State" meets "Dirty Dancing". (I'd feel worse about that if the film wasn't so glib.)

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    +1 +3 / -2
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    The Hobbit: An Unexpected Journey (2012)
    Genre:
    Action & Adventure
    90%

    Posted on 2/20/13 07:05 PM

    The gap in critical appreciation between this film and the other LOTR films is baffling and inexplicable. I was one who was apprehensive over Peter Jackson's decision to inflate the modest novel with ephemeral material, and so I was expecting something like the extended cut of "Return of the King", a little corny and slightly bloated. Instead, I was pleasantly surprised that what we got was simply another Peter Jackson LOTR film, as charming, visually dazzling, and rousing as the previous films. If the film has any flaw at all, it's in the fact that (partially because of the extra material) the story follows the same predictable formula of the superior "Fellowship", which is an ironic complaint as this was the original entry to begin with. Oh, and Fuck PETA. I'm sure there's some puppy-mill dogs for them to strangle that will keep their minds off of this quality fantasy production.

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    Sean D.

    Sean D. on 3/13/13 at 06:41 PM

    I feel like if Jackson tightened things up a bit and stuck with the original plan of doing two movies, that it would have been much more better than the doggerel, narcissitic excercise in egotism that it turned out to be. Not saying it was terrible, but it could have been so much better than it was.

    2 Replies | Report Abuse

    Janson Jinnistan

    Janson Jinnistan on 3/13/13 at 07:25 PM

    I honestly disagree. I don't see a lot of ego or narcissism involved. Now the real test will be the third film in the series, which will be almost entirely built on appendices material to bridge it with the other LOTR films. I have no idea what kind of coherent "story" can be made from that. But the actual "Hobbit" book will pretty much be summed up with the climax of Smaug in the second film, so it really is going to be done in two films. The third one is where you need to beware of indulg

    0 Replies | Report Abuse

    Janson Jinnistan

    Janson Jinnistan on 3/13/13 at 07:26 PM

    indulgence. As it was, I thought this film was very enjoyable.

    0 Replies | Report Abuse

     
     
    Votes
    -1 +1 / -2
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    Lincoln (2012)
    Genre:
    Drama
    80%

    Posted on 2/20/13 07:04 PM

    Spielberg isn't the most subtle director, and Kushner is pretty far from a subtle writer. In that sense, it's surprising they've made a relatively sober movie, even as it's still quite presumptuous and bathetic. John Williams still manages to infuse artificial dignity with his flugelhorns, and I have to admit to not finding Day-Lewis as revelatory as many of his other performances. His Lincoln turns shrill when passionate, and frankly he reminds me of a relevent Ben Stiller sketch ridiculing exactly this kind of pomposity. The film remains fascinating, precisely, I think, for its focus on procedure and the complicated politics of the day.

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