Not enough votes yet! Vote for your favorite (and least favorite) reviews below.
Not enough votes yet! Vote for your favorite (and least favorite) reviews below.
| One Sheet | Reviews |
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Posted on 4/19/13 06:13 PM |
Namclay on 8/08/12 at 04:41 PM
Love your reviews, they're so detailed.
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Matthew Ekstrom on 8/08/12 at 05:09 PM
Thanks! :)
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Double.Dubs on 8/08/12 at 06:41 PM
This is an outstanding review; the conversation you posted is excellent. At last, I still didn't care much for this film; it isn't necessarily the rebellious, loose, freelance style (this is coming from a guy who loved Fellini's virtually plotless and screenplayless "Roma" and "Casanova") but how it felt a bit manufactured in its innovation and too concerned with the sum of its (we need to have " 'x' scene," then " 'y' scene;" cue the metaphysical musings!) This film may be a great smorgasbord o
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Double.Dubs on 8/08/12 at 06:44 PM
of technical Wellesesque wizardry but it felt too cold and too concerned with breaking boundaries of an esoteric theory, as if it just came from a laboratory cutting board (with Godard literally cutting away film to produce his sporadic jump cuts!) How Godard and Truffaut, two significant filmmakers whose styles are so glaringly different, used to be best friends is a mystery to me.
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Matthew Ekstrom on 8/09/12 at 09:53 PM
It's a shame you don't like this one, but I respect your opinion.
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Monsieur Rick on 8/24/12 at 11:20 PM
The title alone makes it a winner for me. How few titles today do anything for a film, they are so uncreative and blunt. While not my favorite genre, foreign films elude me. Thats my fault I am sure. Good work ninja.
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Monsieur Rick on 8/24/12 at 11:21 PM
And the photos are excellent! Wow, what a babe. It leaves ME Breathless.
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