Stanley Ka Dabba
Va, Vis et Deviens (Live ...
So many parallels between the 1968 and 2000 DNC.
Formulaic, maybe, but also full of heart. Felt more like a Mel Brooks pic than one of Woody Allen's.
Raw, unpolished, the way Nouvelle Vague shines.
Watching Tennessee Williams' work done by Pedro Almodovar through the lens of Woody Allen. Even the way Allen shoots Blanchett mirrors how Almodovar has filmed Cecilia Roth.
Yet more evidence proving Albert Brooks must have been (is?) a time traveller.