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  • 25 days ago via Movies on iPhone
    The Place Beyond The Pines

    The Place Beyond The Pines (2012)

    April 13, 2013

    The first great movie of the year is this great acted story told in three parts about the sins and redemptions of fathers and sons. Ryan Gosling leaves quite an impression and Bradley Cooper makes his first serious and believable role. A fantastic piece of cinema.

  • 43 days ago via Movies on iPhone
    Olympus Has Fallen

    Olympus Has Fallen (2013)

    March 26, 2013

    Note to Gerard Butler: fire your agent.

  • 47 days ago via Movies on iPhone
    Stoker

    Stoker (2013)

    March 23, 2013

    Visually stunning Hollywood debut by Park Chan-Wook, the master behind Oldboy. This study on sex and violence is a welcome update on Hitchcock's Shadow Of A Doubt who benefits from Nicole Kidman's best work since Birth, and making Mia Wasikowska the most interesting young actress in this side of the world.

  • 47 days ago via Movies on iPhone
    From Up On Poppy Hill

    From Up On Poppy Hill (2013)

    March 23, 2013

    The son of Hayao Miyazaki might not be as visually refined or inventive as his dad, but his second Ghibli feature turns a soap opera script into a little gem with fantastic pop Japanese music and a great score by Satoshi Takebe. It's a cute movie whose story has been told a million times before in Hispanic telenovelas.

  • 48 days ago via Movies on iPhone
    Amour

    Amour (2012)

    March 21, 2013

    A true masterpiece on that human condition we call love. Bright, sad, and heartbreaking, the dynamic between Trintignant and Riva -in the year's best female performance- is unparalleled. Rings extremely true, that's why some movigoers might find it beyond uncomfortable. But you have to stay for the ballsy, alas romantic, ending.

  • 2 months ago via Rotten Tomatoes
    Identity Thief

    Identity Thief (2013)

    March 06, 2013

    Awful awful awful. I hadn't walked out of a movie theater in years. The least funny comedy in ages with two extremely likable stars. Besides the cliched script, there's no chemestry between McCarthy and Bateman. And it's just a terrible waste of time.

  • 2 months ago via Rotten Tomatoes
    Silver Linings Playbook

    Silver Linings Playbook (2012)

    March 03, 2013

    What starts as a serious depiction of a troubled bipolar man, suddenly shifts into a neurotic romantic comedy with echoes from Jerry Maguire and Dirty Dancing! :S If you can explain why Jennifer Lawrence won the Oscar, you might be a genius.

  • 2 months ago via Rotten Tomatoes
    Safe Haven

    Safe Haven (2013)

    March 03, 2013

    This revamped version of Sleeping With The Enemy might be better than the one that madee Julia Roberts a star, and there's a very cute twist at the end that you will never see coming... But Lasse Hallstrom seems to have lost any sense of artistry. So many genres and clichés are tossed into this one, it's an embarrasing mess.

  • 2 months ago via Movies on iPhone
    Bully

    Bully (2012)

    February 12, 2013

    When I was a child I was bullied. When I was a teenager I became a bully. When I grew up I didn't kill myself or became a mass murderer. But then again the kind of bullying that goes in the USA that involves guns, knifes and basically centers around death menaces is a whole different kind of bullying. While the movie does not provide answers it reflects the horrible reality of a society that doesn't give a fuck about the most important moment in a child's life: the years at school.

  • 2 months ago via Rotten Tomatoes
    The Cook, the Thief, His Wife & Her Lover

    The Cook, the Thief, His Wife & Her Lover (1989)

    February 10, 2013

    One of the most impressive films ever put onscreen, Greenaway's fable on dictatorship, submissiveness, food and sex is a feast for the eyes, with lush cinematography by Sacha Vierny, spectacular outfits by Jean Paul Gaultier and an epic score by Michael Nyman. Michael Gambon and Helen Mirren bare their souls and Greenaway makes one of the most memorable and to-the-point endings in move history. Not for the faint of stomach. Oddly enough, this is the director's mot accesible film.

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