The Tomatometer rating – based on the published opinions of hundreds of film and
television critics – is a trusted measurement of movie and TV programming quality
for millions of moviegoers. It represents the percentage of professional critic reviews
that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
The Tomatometer is 75% or higher, with 40 reviews (movies) or 20 reviews (TV). At least 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Noir visual sensibilities, 90's action intensity, and an aged but never faltering Keanu paint this picture that dances dangerously close on the camp line, but still comes out ahead of the modern ill-written shlock. It has it's flaws, especially towards the end, but when you get an action flick you didn't know you needed, it's a pleasant surprise.
Not for the faint of heart, but what well made war film ever is? Touches of styles that reminded me of both David Lean (Lawrence of Arabia) and Oliver Stone (Platoon), and beyond impressive in anachronistic endeavors. In a word, epic, but still falls short of a masterpiece in flow of narrative.
When going in expecting an equal to the original Conjuring, it is very disappointing. Also it can easily be paralleled in plot points to the first Insidious. But as a stand alone horror film it still has some decent scares. One of the increasingly numerous examples of a "we've written ourselves into a corner" ending though.
Art should be seen and heard and felt. This film is a complex work of art that should be savored like an aged cheese. Too slow for modern audiences, and perhaps too appealing for the refined tastes, it may be difficult for this film to find its audience, but it found me.
I loved Dawn for its connections with the mythos set in the original series of films. Although Rise starts to pull away from that, I love it for its complex drama and use of cgi to mask actors instead of replacing them completely.