Julie Harris
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
No Score Yet | The Lightkeepers |
|
— | 2010 |
No Score Yet | Light Keepers |
|
— | 2010 |
28% | Chatham (The Golden Boys) |
|
— | 2009 |
No Score Yet | The Way Back Home |
|
— | 2005 |
83% | Broadway: The Golden Age |
|
— | 2004 |
No Score Yet | The Last of Mrs. Lincoln |
|
— | 2002 |
No Score Yet | Not For Ourselves Alone |
|
— | 1999 |
No Score Yet | The First of May |
|
— | 1999 |
No Score Yet | Love Is Strange |
|
— | 1999 |
85% | Bad Manners |
|
— | 1998 |
No Score Yet | Frank Lloyd Wright |
|
— | 1998 |
No Score Yet | Ellen Foster |
|
— | 1997 |
No Score Yet | Ruth Orkin: Frames of Life |
|
— | 1997 |
64% | Carried Away |
|
— | 1996 |
No Score Yet | One Christmas |
|
— | 1994 |
No Score Yet | Secretos |
|
— | 1994 |
No Score Yet | Scarlett |
|
— | 1994 |
57% | The Dark Half |
|
— | 1993 |
No Score Yet | They've Taken Our Children: The Chowchilla Kidnapping (Vanished Without a Trace) |
|
— | 1993 |
37% | Housesitter |
|
— | 1992 |
No Score Yet | A Woman's Place: An Inspiring Document of Achievement |
|
— | 1989 |
No Score Yet | The Christmas Wife |
|
— | 1988 |
83% | Gorillas in the Mist: The Story of Dian Fossey |
|
— | 1988 |
No Score Yet | Harold Clurman: A Life of Theatre |
|
— | 1988 |
No Score Yet | The Woman He Loved |
|
— | 1988 |
No Score Yet | Forever James Dean |
|
— | 1988 |
No Score Yet | Nutcracker: The Motion Picture |
|
— | 1986 |
No Score Yet | Backstairs at the White House |
|
— | 1979 |
No Score Yet | The Bell Jar |
|
— | 1979 |
No Score Yet | Emily Dickinson: A Certain Slant of Light |
|
— | 1978 |
No Score Yet | Emily Dickinson: A Certain Slant of Light |
|
— | 1977 |
89% | Voyage of the Damned |
|
— | 1976 |
No Score Yet | The Last of Mrs. Lincoln |
|
— | 1976 |
No Score Yet | America at the Movies |
|
— | 1976 |
No Score Yet | The Belle of Amherst |
|
— | 1976 |
No Score Yet | The Hiding Place |
|
— | 1975 |
No Score Yet | James Dean: The First American Teenager |
|
— | 1975 |
No Score Yet | The Greatest Gift |
|
— | 1974 |
No Score Yet | Home for the Holidays |
|
— | 1972 |
No Score Yet | How Awful About Allan |
|
— | 1970 |
No Score Yet | The People Next Door |
|
— | 1970 |
No Score Yet | The Split |
|
— | 1968 |
No Score Yet | Journey to Midnight |
|
— | 1968 |
57% | Reflections in a Golden Eye |
|
— | 1967 |
80% | You're a Big Boy Now |
|
— | 1966 |
100% | Harper (The Moving Target) |
|
— | 1966 |
87% | The Haunting |
|
— | 1963 |
90% | Requiem for a Heavyweight |
|
— | 1962 |
No Score Yet | The Truth About Women |
|
— | 1957 |
No Score Yet | I Am a Camera |
|
— | 1955 |
86% | East of Eden |
|
— | 1955 |
89% | The Member of the Wedding |
|
— | 1952 |
TV
RATING | TITLE | CREDIT | YEAR |
---|---|---|---|
No Score Yet |
Independent Lens
1999
|
|
|
No Score Yet |
Ken Burns' Baseball
1994-2010
|
|
|
No Score Yet |
The Family Holvak
1975
|
|
|
No Score Yet |
Columbo
1968-2003
|
|
|
Quotes from Julie Harris' Characters
Eleanor Vance: | Hill House has stood for ninety years and will probably stand for ninety more. And we who walk at Hill House, walk alone. |
Eleanor Vance: | And whatever walks there walks alone |
Eleanor Vance: | And whatever walks there walks alone. |
Eleanor Vance: | Whose hand was I holding? |
Eleanor Vance: | Can't you feel it? It's alive...watching. |
Eleanor Vance: | Can't you feel it? It's alive, watching. |
Eleanor Vance: | (panicking) - But where? |
Dr. John Markway: | Home of course. |
Theodora: | Back to your little apartment, where all your things are. |
Eleanor Vance: | Human nature could certainly stand some improvement. |
Mrs. Dudley: | I set dinner on the dining room sideboard at 6. I clear up in the morning. I have breakfast for you at 9. I don't wait on people. I don't stay after I set out the dinner, not after it begins to get dark. I leave before the dark. |
Eleanor Vance: | Your husband? |
Mrs. Dudley: | We live over in town, miles away. |
Eleanor Vance: | Yes. |
Mrs. Dudley: | So there won't be anyone around if you need help. |
Eleanor Vance: | I understand. |
Mrs. Dudley: | We couldn't hear you; in the night. |
Eleanor Vance: | Do you have any idea when Dr. Markway... |
Mrs. Dudley: | (cuts her off) - No one could. No one lives any nearer than town. No one will come any nearer than that. |
Eleanor Vance: | I know. |
Mrs. Dudley: | In the night; in the dark. - (she grins) |
Eleanor Vance: | What scares you, Theodora? |
Theodora: | Knowing what I really want. |
Eleanor Vance: | God! God! Whose hand was I holding? |
Eleanor Vance: | Oh! This house! You have to watch it every minute! |
Theodora: | Is this another one of your crazy ideas? |
Eleanor Vance: | I'm not crazy! |
Theodora: | Crazy as a loon! You really expect me to believe that you're sane and the rest of the world is mad? |
Eleanor Vance: | Well why not? The world is full of inconsistencies. Full of unnatural beings, nature's mistakes they call you for instance! |
Eleanor Vance: | I'm still so terrified from last night. |
Dr. John Markway: | You shouldn't be. It's silly to be frightened... |
Eleanor Vance: | Silly? You haven't been through it! This horrible unknown thing! |
Dr. John Markway: | Unknown.' That's the key word. 'Unknown.' When we become involved in a supernatural event, we're scared out of our wits just because it's unknown. The night cry of a child; a face on the wall; knockings, banging's. What's there to be afraid of? You weren't threatened. It was harmless, like a joke that doesn't come out. |
Eleanor Vance: | But the child... |
Dr. John Markway: | There was no child, remember? Just a voice! |
Eleanor Vance: | A voice. |
Dr. John Markway: | Look, Eleanor, put it this way. When people believed the Earth was flat, the idea of a round world scared them silly. Then they found out how the round world works. It's the same with the world of the supernatural. Until we know how it works, we'll continue to carry around this unnecessary burden of fear. |
Eleanor Vance: | Supposing it is in my imagination; the knocking, the voices. Everything...Every cursed bit of the haunting! Suppose the haunting is all in my mind. |
Dr. John Markway: | Well, you can't say that, because there are three other people here. We all resist the idea that what ran through the garden that first night was a ghost. What banged on the door was a ghost. What held your hand was a ghost. But there is certainly something going on in Hill House. We're getting closer, very close to finding out what it is. |
Eleanor Vance: | Hill House has stood for 90 years and might stand for 90 more. Within, walls continue upright, bricks meet, floors are firm, and doors are sensibly shut. Silence lies steadily against the wood and stone of Hill House; and we who walk here...walk alone. |
Eleanor Vance: | Hill House has stood for 90 years and might stand for 90 more. Within, walls continue upright, bricks meet, floors are firm, and doors are sensibly shut. Silence lies steadily against the wood and stone of Hill House; and we who walk here, walk alone. |