The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Before gaining recognition as a director of action films, Andrew Davis worked as a TV and movie cameraman, a journalist, and a photographer. Davis entered Hollywood in 1969 as an assistant to cinematographer Haskell Wexler while filming Medium Cool. In 1972, he acted as the cinematographer for two films, Private Parts and Hit Man, and he spent much of the remainder of the decade working on a number of films in this capacity. In 1977, Davis co-wrote, produced, and directed his first feature film, Stony Island. Davis' first work on action films was as the director of the Chuck Norris vehicle Code of Silence (1985). He scored his first major success when he co-wrote and directed another action movie, Above the Law, starring newcomer Steven Seagal; in 1992, he teamed with Seagal for a second time on the action-packed box-office hit Under Siege. The following year, Davis once again thrilled audiences with the tense, spectacular movie adaptation of the '60s TV serial The Fugitive, starring Harrison Ford. A huge critical and commercial success, it was hailed as one of the best films of the year. In contrast, Davis' subsequent action film, Chain Reaction (1996), was a colossal flop. He then switched gears for A Perfect Murder, a 1998 re-make of Hitchcock's Dial M for Murder. Starring Gwyneth Paltrow and Michael Douglas, the film was a great disappointment, leading some observers to opine that perhaps Davis should entertain a return to the action genre, something he did with the Arnold Schwarzenegger vehicle Collateral Damage which was the subject of some controversy because it dealt with terrorism and came out around the time of the World Trade Center attacks on September 11, 2001. Davis changed gears and had a modest hit with the family-friendly Holes in 2003. Three years later he returned to the action genre with the coast guard drama The Guardian starring Kevin Costner and Ashton Kutcher.