Anthony Perkins

Anthony Perkins

Highest Rated: 100% Pretty Poison (1968)

Lowest Rated: 17% Le Couteau dans la plaie (Five Miles to Midnight) (1962)

Birthday: Apr 4, 1932

Birthplace: New York, New York, USA

An shy, slender actor whose name became virtually synonymous with legendary screen Psycho Norman Bates despite numerous solid performances in films outside the Hitchcock originated series, Anthony Perkins' sensitive and versatile early performances remain unfortunately obscured by his portrayal of the gender-bending sociopath that made filmgoers reluctant to shower alone for decades to come. Born to actor Osgood Perkins in April 1932 (who would die when Tony was but five years old), the young Perkins decided to follow in his father's footsteps when, at age 15, he became a member of the Actor's Equity. Soon taking the stage in summer stock, the fledgling and humble thespian embraced even the more unglamorous aspects of stage work and worked tirelessly to develop into an actor who could find celluloid success. Subsequent performances in such Rollins College productions as The Importance of Being Ernest helped him to develop the necessary skills, and following a relocation to Hollywood, Perkins was cast alongside Spencer Tracy in the film adaptation of Ruth Gordon's dramatic play The Actress. Reluctant to dive headfirst into what he considered the questionable ethics of Tinsletown, Perkins packed his bags for Columbia University. Landing roles in such Golden Age of Television staples as Studio One and G.E. Theater found the actor continuing to gain positive notice and exposure, with the success carrying over to Broadway, where Perkins would gain the respect of some of New York's harshest critics for his performance as a college student suspected of homosexuality in Robert Anderson's Tea and Sympathy. Nearly becoming a teen idol after crooning "A Little Love Goes a Long, Long Way" in the Goodyear TV Playhouse production Joey, Perkins was signed to Epic Records and later RCA Victor shortly before earning an Oscar nomination for his breakthrough roles in both William Wyler's Friendly Persuasion (1956) and Robert Mulligan's Fear Strikes Out (1957). With his portrayal as a timid pacifist and a disturbed baseball player respectively, Perkins' sensitive performances riveted audiences and resulted in numerous film offers. Appearing in The Matchmaker (1958) and On the Beach (1959) in the following years, Perkins' screen image as a soft-spoken everyman would be forever shattered with the release of Alfred Hitchcock's controversial masterpiece Psycho. Purposefully cast against type as twitchy, psychotic mama's boy Norman Bates, it would be that characterization which would haunt Perkins' career for the rest of his days. In an attempt to shake the association, Perkins would move to Europe after becoming a minor cultural icon following his role in Goodbye Again (1961) (for which he was named Best Actor at the Cannes Film Festival). Appearing in such efforts as Orson Welles' The Trial (1963) and Is Paris Buring? (1966) throughout much of the duration of the 1960s, Perkins made somewhat of a return to American screens with such later efforts as Pretty Poison (1968), Catch-22 (1970), and Mahogany (1975). Working more frequently in television moving into the 1980s (1978's Les Miserables and The Sins of Dorian Gray [1983]), Perkins also continued to thrill theatergoers with roles in such films as The Black Hole (1979) and Ffolkes (1980) before returning to the character of Norman Bates in the inevitable sequel Psycho II. Directed this time by Hitchcock protégé Richard Franklin, the film proved a success and ranked among the top ten releases of 1983. From this point forward there would be little deviation from the twitchy theatricals that Perkins had perfected, and though entertaining in such efforts as Crimes of Passion (1984) and Edge of Sanity (1989), contemporary audiences would sadly witness little of the talented actor's pre-Psycho dramatic range. Associated almost exclusively with horror films by the onset of the 1990s, Perkins would return to the role of Bates for one last outing in the made-for-cable Psycho IV: The Beginning before serving

Photos

Highest Rated Movies

Filmography

Movies

Credit
88% Tab Hunter Confidential Actor 2015
No Score Yet Tcm Presents Psycho Actor 2015
95% Sing Your Song Anthony Perkins $48.2K 2012
No Score Yet The Psycho Legacy Actor 2010
No Score Yet In the Deep Woods Paul Miller 1992
No Score Yet Der Mann Nebenan (A Demon in My View) (The Man Next Door) Arthur Johnson 1992
No Score Yet Psycho IV: The Beginning Norman Bates 1991
No Score Yet I'm Dangerous Tonight Prof. Buchanan 1990
No Score Yet Daughter of Darkness Actor 1990
No Score Yet Edge of Sanity Dr. Henry Jekyll 1989
No Score Yet Lucky Stiff Director 1988
No Score Yet Destroyer Robert Edwards 1988
No Score Yet Destroyer (Shadow of Death) (The Edison Effect) Actor 1988
58% Psycho III Norman Bates Director 1986
36% Crimes of Passion Rev. Peter Shayne 1984
No Score Yet The Glory Boys Director Jimmy 1984
57% Terror in the Aisles Actor 1984
59% Psycho II Norman Bates 1983
No Score Yet The Sins of Dorian Gray Actor 1982
43% North Sea Hijack (ffolkes) (Assault Force) Lou Kramer 1980
No Score Yet Double Negative Lawrence Miles 1980
88% Winter Kills John Ceruti 1979
40% The Black Hole Dr. Alex Durant 1979
No Score Yet Twice a Woman Alfred 1979
No Score Yet The Horror Show Actor 1979
No Score Yet Les Miserables Insp. Javert 1978
75% Remember My Name Neil Curry 1978
No Score Yet First You Cry Arthur Herzog 1978
25% Mahogany Sean 1975
89% Murder on the Orient Express Hector McQueen 1974
No Score Yet Lovin' Molly Gid 1974
86% The Last of Sheila Screenwriter 1973
75% The Life and Times of Judge Roy Bean Rev. LaSalle 1972
No Score Yet Play It as It Lays B.Z. 1972
No Score Yet Ten Days' Wonder Charles 1972
No Score Yet Someone Behind the Door Laurence Jeffries 1971
No Score Yet How Awful About Allan Allan 1970
79% Catch-22 Chaplain Capt. A.T. Tappman 1970
No Score Yet WUSA Rainey 1970
100% Pretty Poison Dennis Pitt 1968
No Score Yet The Champagne Murders (Le Scandal) Christopher Balling 1967
71% Is Paris Burning? (Paris brûle-t-il?) Sgt. Warren 1966
No Score Yet The Fool Killer Milo Bogardus 1965
No Score Yet Agent 38-24-36 (Une ravissante idiote) Nicholas Maukouline Harry Compton 1964
85% Le Procès (The Trial) Josef K. 1962
17% Le Couteau dans la plaie (Five Miles to Midnight) Robert Macklin 1962
No Score Yet Phaedra Alexis 1962
No Score Yet Goodbye Again Philip Van Der Besh 1961
96% Psycho Norman Bates 1960
No Score Yet Tall Story Ray Blent 1960
76% On the Beach Lt. Peter Holmes 1959
No Score Yet Green Mansions Abel 1959
No Score Yet The Matchmaker Cornelius Hackl 1958
No Score Yet Desire Under the Elms Eben Cabot 1958
No Score Yet The Lonely Man Riley Wade 1957
83% Fear Strikes Out Jim Piersall 1957
83% The Tin Star Sheriff Ben Owens 1957
88% Friendly Persuasion Josh Birdwell 1956
60% The Actress Fred Whitmarsh 1953

TV

Credit
No Score Yet Saturday Night Live
1975
Host Guest 1976

QUOTES FROM Anthony Perkins CHARACTERS

Major Major says: Is something wrong?

Chaplain Tappman says: No, no. I...just thought I saw something.

Major Major says: A naked man in a tree?

Chaplain Tappman says: Yes, that's it.

Maj. Danby says: That's just Yossarian.

Norman Bates says: People always mean well. They cluck their thick tongues and shake their heads and suggest oh, so very delicately...

Norman Bates says: Mother! Oh, God, Mother! Blood! Blood!!

Peter Holmes says: By the way, I invited Captain Towers for the weekend.

Mary Holmes says: Oh Peter you didn't.

Peter Holmes says: I had to really, we had lunch together and he started asking questions about how we lived and all. Mary I'd have looked an awful clod not to have asked him. He'll be alright I think.

Peter Holmes says: I had to really, we had lunch together and he started asking questions about how we lived and all. Mary, I'd have looked an awful clod not to have asked him. He'll be alright I think.

Mary Holmes says: Was he married do you know?

Peter Holmes says: Two kids.

Mary Holmes says: And they're gone?

Peter Holmes says: Yes, they were in America.

Admiral Bridie says: I've got an assignment for you. You care for some of this miserable muck which passes for coffee these days?

Peter Holmes says: No thank-you sir.

Peter Holmes says: No thank you sir.

Admiral Bridie says: It's a reasonably important assignment as things go these days. That's going to be quite a phrase isn't it, these days? Do you find yourself using it?

Peter Holmes says: Yes sir, I'm afraid I do.

Mary Holmes says: Peter, they must be giving you a ship of your own.

Peter Holmes says: No darling, they don't give ships to Lieutenants.

Mary Holmes says: Then why would it be Admiral Bridie himself? If you were just to replace someone who was ill or something, that wouldn't mean seeing Admiral Bridie himself would it?

Peter Holmes says: I don't know, you don't quite know what to expect these days.

Norman Bates says: A boy's best friend is his mother.

Norman Bates says: We all go a little mad sometimes.

Norman Bates says: A boy's best friend is his mother.

Norman Bates says: I think I must have one of those faces you can't help believing.

Norman Bates says: People always mean well. They cluck their thick tongues, and shake their heads and suggest, oh, so very delicately!

Norman Bates says: We all go a little mad sometimes.

Norman Bates says: A boy's best friend is his mother

Norman Bates says: A boy's best friend is his mother.

Norman Bates says: I think I must have one of those faces you can't help believing.

Norman Bates says: Mother - what's the phrase? She isn't quite herself today.

Norman Bates says: [while in drag, screaming] I'm Norma Bates!

Norman Bates says: It's not like my mother is a maniac or a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. Haven't you?

Marion Crane says: Yes. Sometimes just one time can be enough.

Norman Bates says: I think I must have one of those faces you can't help believing.

Marion Crane says: Do you have any vacancies?

Norman Bates says: Oh, we have 12 vacancies. 12 cabins, 12 vacancies.

Norman Bates says: Mother-blood! Blood!

Norman Bates says: A boy's best friend is his mother.

Norman Bates says: It's not like my mother is a maniac or a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. Haven't you?

Marion Crane says: Yes. Sometimes just one time can be enough.

Norman Bates says: I'm Norman Bates!

Norman Bates says: [voiceover in police custody, as Norman is thinking] They're probably watching me. Well, let them. Let them see what kind of a person I am. I'm not even going to swat that fly. I hope they are watching... they'll see. They'll see and they'll know, and they'll say, "Why, she wouldn't even harm a fly..."

Norman Bates says: They're probably watching me. Well, let them. Let them see what kind of a person I am. I'm not even going to swat that fly. I hope they are watching... they'll see. They'll see and they'll know, and they'll say, 'Why, she wouldn't even harm a fly.'

Norman Bates says: It's not like my mother is a maniac or a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. Haven't you?

Marion Crane says: Yes. Sometimes just one time can be enough.

Norman Bates says: We all go a little mad sometimes.

Norman Bates says: A boy's best friend is his mother.