The Tomatometer rating – based on the published opinions of hundreds of film and
television critics – is a trusted measurement of movie and TV programming quality
for millions of moviegoers. It represents the percentage of professional critic reviews
that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Born in Tampa, where her father worked as a stevedore and her mother as a maid, Thelma McQueen determined early in life to become a dancer. By age 13 she was living in Harlem performing with a dance troupe and theater company. While appearing in a 1935 production of A Midsummer Night's Dream, she danced in the Butterfly Ballet, earning her professional name of Butterfly McQueen in the process (she hated the name Thelma and later had her new moniker legalized). Her first Broadway appearance in the 1937 George Abbott production Brown Sugar led to an even better assignment in the long-running stage comedy What a Life! This in turn led to her discovery by film producer David O. Selznick, who cast McQueen as the simple-minded slave Prissy ("I don't know nuthin' 'bout birthin' no babies!") in his super-production Gone With the Wind (1939). Though the role earned her worldwide fame, it also typecast her as screechy-voiced, hysterical domestics. Even so, she delivered memorable performances in such '40s productions as Cabin in the Sky (1943), Mildred Pierce (1945), and Selznick's Duel in the Sun (1946). Her inability to get along with most of her co-stars, coupled with her unhappiness over the film roles assigned her, prompted the actress to quit the movies in 1947. The ensuing two decades were not easy ones for McQueen; she was obliged to accept a dizzying series of clerical and domestic jobs, occasionally resurfacing in short-running stage productions and briefly co-starring as Oriole on TV's Beulah series. At one point, she served as hostess at the Stone Mountain Civil War Memorial Museum in Atlanta, GA. She returned to Broadway in 1964, and four years later scored a personal success with a tailor-made role in the off-Broadway musical spoof Curley McDimple. She came back to films in 1974 while pursuing a Political Science degree at New York's City College. In 1980, she won an Emmy for her performance in the TV special The Seven Wishes of a Rich Kid, and in 1986 made her final screen appearance (looking and sounding pretty much as she did back in 1939!) in Peter Weir's The Mosquito Coast. Butterfly McQueen was 85 when she died of burns sustained in a fire caused by a faulty kerosene heater.