The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Contemporary filmmaker Carroll Ballard has not made many films, but the ones he has are memorable. The son of a boatwright, Ballard was raised at Lake Tahoe. He experimented with his father's trade after high school and built a catamaran before enlisting in the army where he served in the South as a cameraman. Three films inspired Ballard to enroll in the UCLA film school in the early 1960s: Teinosuke Kinugasa's Gate of Hell (1953), Kubrick's Paths of Glory (1957) and Ordet (1955) by Danish filmmaker Carl Dreyer. In school, where Francis Ford Coppola was one of his classmates, he made several short fiction and documentary films, most of which were about animals. In 1967, he earned his first Oscar nomination for producing the documentary Harvest. He made his directorial debut with The Black Stallion (1979) and followed it with another outdoor film in 1983, Never Cry Wolf. His films are noted for their exquisite use of cinematography. The painting-like images he uses do as much to tell his stories as does the dialog. His 1996 effort Fly Away Home is no exception; while it received mixed-reviews for its content, was hailed for its breathtaking shots of geese flying in formation with an ultralight plane.