The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Charles Adler -- not to be confused with the voice actor Charles Michael ("Charlie") Adler (b. 1956) -- was a character actor of the 1930s, and the scion of an illustrious acting family. He spent most of his career on the stage, but managed to amass a handful of screen credits between the 1920s and late 1930s. Born in London in 1886, he was the illegitimate son of Jacob Adler -- a rising giant of the Yiddish theater -- and Jennya Kaiser, with whom the actor had been having an affair outside of his own marriage. His half-siblings, by Jacob's later marriage, included renowned actor Luther Adler, actress/teacher Stella Adler, and actor Jay Adler; his nephew, by his half-brother Abram, was writer Allen Adler. Charles Adler's earliest screen credit was a starring role in the 1924 western Looped for Life, but his subsequent movie work took place after the advent of sound, including a co-starring role in the 1933 drama Victims of Persecution, and parts in such lighter fare as Busby Berkeley's Stage Struck (1936), David Butler's Pigskin Parade (1936), and Raoul Walsh'sArtists and Models (1937). Adler's professional credits extend up through the end of the 1930s, and the Mitchell Leisen-directed Artists and Models Abroad. There is no obituary or year of death recorded for him publicly, but he is presumed to have passed away in the 1940s.