The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
A veteran guitarist whose innovation helped to fuel the Cuban music scene of the 1940s, Compay Segundo's career as a musician received a healthy second wind thanks to director Wim Wenders' 1998 documentary Buena Vista Social Club. Born Maximo Francisco Repilado Munoz in November 1907, Segundo began performing as a musician in his teens. He soon put his instrumental knowledge to work in creating the armonico, a unique seven-string guitar which added a double middle string to further emphasize the harmony of traditional Cuban "son" music (a forerunner to salsa). It was while performing secondary vocals as a member of the duo Los Compadres in the early '40s that Segundo earned his popular moniker, with the other half referring to a shortened, Cuban slang version of the word "compadre." After playing with some of the most popular Cuban musicians of the 1950s and '60s, Segundo's musical career was put on hold as public tastes shifted to accommodate more communist-slanted folk music. During this time, the musician gave up his guitar in favor of a job rolling cigars for Havana's H. Upmann cigar manufacturer. When Wenders' film was released in 1998, a resurgence in Segundo's popularity resulted in two new albums, in addition to frequent touring until two months before his death in 2003 as the result of a massive kidney infection. He was 95.