The Tomatometer rating – based on the published opinions of hundreds of film and
television critics – is a trusted measurement of movie and TV programming quality
for millions of moviegoers. It represents the percentage of professional critic reviews
that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Reportedly a neighbor of Harry Houdini while growing up in the Bronx, American actor Edmond O'Brien decided to emulate Houdini by becoming a magician himself. The demonstrative skills gleaned from this experience enabled O'Brien to move into acting while attending high school. After majoring in drama at Columbia University, he made his first Broadway appearance at age 21 in Daughters of Atrus. O'Brien's mature features and deep, commanding voice allowed him to play characters far older than himself, and it looked as though he was going to become one of Broadway's premiere character actors. Yet when he was signed for film work by RKO in 1939, the studio somehow thought he was potential leading man material -- perhaps as a result of his powerful stage performance as young Marc Antony in Orson Welles' modern dress version of Julius Caesar. As Gringoire the poet in The Hunchback of Notre Dame (1939), O'Brien was a bit callow and overemphatic, but he did manage to walk off with the heroine (Maureen O'Hara) at the end of the film. O'Brien's subsequent film roles weren't quite as substantial, though he was shown to excellent comic advantage in the Moss Hart all-serviceman play Winged Victory, in a role he repeated in the 1944 film version while simultaneously serving in World War II (he was billed as "Sergeant Edmond O'Brien"). Older and stockier when he returned to Hollywood after the war, O'Brien was able to secure meaty leading parts in such "films noir" as The Killers (1946), The Web (1947) and White Heat (1949). In the classic melodrama D.O.A. (1950), O'Brien enjoyed one of the great moments in "noir" history when, as a man dying of poison, he staggered into a police station at the start of the film and gasped "I want to report a murder...mine." As one of many top-rank stars of 1954's The Barefoot Contessa, O'Brien breathed so much credibility into the stock part of a Hollywood press agent that he won an Academy Award. On radio, the actor originated the title role in the long-running insurance-investigator series "Yours Truly, Johnny Dollar" in 1950. On TV, O'Brien played a Broadway star turned private eye in the 1959 syndicated weekly "Johnny Midnight," though the producers refused to cast him unless he went on a crash vegetarian diet. Plagued by sporadic illnesses throughout his life, O'Brien suffered a heart seizure in 1961 while on location in the Arabian desert to play the Lowell Thomas counterpart in Lawrence of Arabia, compelling the studio to replace him with Arthur Kennedy. O'Brien recovered sufficiently in 1962 to take the lead in a TV lawyer series, "Sam Benedict;" another TV stint took place three years later in "The Long Hot Summer." The actor's career prospered for the next decade, but by 1975 illness had begun to encroach upon his ability to perform; he didn't yet know it, but he was in the first stages of Alzheimer's Disease. Edmond O'Brien dropped out of sight completely during the next decade, suffering the ignominity of having his "death" reported by tabloids several times during this period. The real thing mercifully claimed the tragically enfeebled O'Brien in 1985.