The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
After attending the 1932 Olympics in Los Angeles, Esther Williams set her cap on becoming a world-renowned swimming champion. By the time she was 15, she was well on her way to achieving that goal; within a few years, she had won such events as the Women's Outdoor Nationals and the Pacific Coast Championships, and had set records for the 100- and 220-meter swims. Sorely disappointed when the advent of World War II forced the cancellation of the 1940 Olympics in Finland, Williams cut her losses by going to work for Billy Rose's San Francisco Aquacade. It was here that she was spotted by an MGM talent scout, who cast Williams in a supporting role in Andy Hardy's Double Life (1942). Hoping that their new discovery would surpass the popularity of 20th Century-Fox's skating queen Sonja Henie, MGM began grooming Williams for stardom, completely refashioning her third film, the modest 1944 Red Skelton comedy Mister Bride, into the Technicolor superspectacular Bathing Beauty. Williams immediately clicked with the public, and for the next decade she starred in one musical comedy after another, warbling the Oscar-winning tune "Baby It's Cold Outside" in Neptune's Daughter (1949) and trading steps with Gene Kelly in Take Me Out to the Ballgame (1949). As her popularity soared--she was among the top ten box office stars in 1949 and 1950--MGM went out of its way to make her swimming sequences more complex and elaborate with each new picture, freshening up the act with trapezes, hang-gliders and fiery hoops. Her string of successes came to a halt with her last MGM release, the unsuccessful Jupiter's Darling (1955). Now a free-lancer, Williams tried to gain acceptance as a dramatic actress, turning in worthwhile performances in such films as The Unguarded Moment (1956) and Raw Wind in Eden (1958), but the public wasn't buying. She returned to what she did best, starring in annual TV aquacades and acting as spokeswoman for her own swimming-pool company. She closed out her film career in 1961, shunning the spotlight for the next 15 years and devoting her time to her third husband Fernando Lamas, her children (including stepson Lorenzo Lamas) and her many business activities. She made headlines in 1974 when she sued MGM for unauthorized use of her films in the 1974 anthology That's Entertainment (evidently she came to terms with her old studio; in 1994, she was one of the narrators for That's Entertainment Part III). After Fernando Lamas' death in 1982, Williams returned to the limelight, promoting such money-spinning enterprises as a line of "modest" swimwear. Still a strikingly beautiful woman, Esther Williams remains a top attraction on the interview and talk-show circuit, offering candid, self-effacing and unpretentious observations on Hollywood's so-called Golden Age. Williams passed away in 2013 at the age of 91.