Umberto Lenzi - Rotten Tomatoes

Umberto Lenzi

Birthday:  
Birthplace:   Massa Marittima, Grosseto, Tuscany, Italy
Born in Massa Marittima, Italy on August 6, 1931, Umberto Lenzi was a movie enthusiast since his early grade school years. During those years, he founded various film fan clubs while studying law. Lenzi started out as a journalist for various local newspapers and magazines. Lenzi put off his law studies to pursue the technical arts of filmmaking at the Centro Sperimentale de Cinematografia.After graduation from the school, Lenzi continued working as a writer and film critic. He found employment as an assistant director before making his directorial debut with Le avventure di Mary Read (1961) (Queen of the Seas). Other pirate/sword flicks followed, starting with I pirati della Malesia (1964) (Pirates of Malaysia), which was part of the height of the career of fictitious tales of historic legendary characters including Robin Hood, Catherine the Great, Zorro, Sandokan and Maciste. For the movie Kriminal (1966), Lenzi turned to the new wave of adult-oriented comic books (known as fumetti) for fresh inspiration and initiated a popular trend.After directing a war film and two "spaghetti westerns," Lenzi turned to the giallo gene with Orgasmo (1969), starring Carroll Baker and Lou Castel, which was the first of his thrillers and one of his personal favorites. Retitled Paranoia for its USA release, Orgasmo caused some confusion since Lenzi directed a movie with the same name, Paranoia, in 1970 also with Carroll Baker. During the 1970s, Lenzi directed a number of giallo thrillers among them Così dolce... così perversa (1969) (So Sweet, So Perverse), Sette orchidee macchiate di rosso (1972) (Seven Blood-Stained Orchids) and Gatti rossi in un labirinto di vetro (1975) (Eyeball). None of them were particularly successful since Lenzi blamed his tight budgets and poor scripts, which he believed no director could do well with.In the late 1970s, Lenzi turned to the police thrillers (polizieschi), which rejuvenated his confidence and his popularity. Titles like Milano odia: la polizia non può sparare (1974) (Almost Human), Il trucido e lo sbirro (1976) (Free Hand For a Tough Cop), and La banda del gobbo (1978) (Brothers Till We Die) were the most popular and brutal of the thrillers. Prior to the polizieschi, Lenzi directed Il paese del sesso selvaggio (1972) (Man from Deep River), which was the start of the Italian cannibal sub-genre. A re-telling of the western A Man Called Horse (1970), with a south Asia setting, set the stage for a later group of extremely gory cannibal sub-genre movies most noteworthy being Ruggero Deodato's Ultimo mondo cannibale (1977) (Jungle Holocaust) which featured a potent combination of extreme violence in a documentary realism. Lenzi responded with two very gory jungle cannibal features, Mangiati vivi! (1980) (Eaten Alive) and Cannibal ferox (1981) (Make Them Die Slowly), which attempted to outdo Deodato's thrillers. The excess of Make Them Die Slowly, which was banned in 31 countries, made Lenzi distance himself from the cannibal genre.In between Eaten Alive and Make Them Die Slowly, Lenzi directed Incubo sulla città contaminata (1980) (Nightmare City), a zombie flick, with Lenzi rejected the slow-moving zombies of the Romero and Fulci movies for a more type of fast-moving, weapons toting, super zombies with action and an anti-nuclear message.During the 1980s and early 1990s, Lenzi turned his attention to other genres: action-adventure, war films and even made-for-TV dramas, although he directed the occasional thriller most notable in that time was La casa 3 (1988) (Ghosthouse). Lenzi's Le porte dell'inferno (1989) (Hell's Gate) is a seldom-seen horror film, which makes the most of its low budget. Lenzi claimed to have shot it in three weeks at a cost of 300 million lire, whereas low-budget Italian horror films shot in Italy or abroad cost an average of a billion lire or more. It represented a personal challenge for Lenzi since the entire movie takes place in a cave and the suspense is maintained for the entire 90 minutes.As his budgets and financing for his films dwindled, so did his output. The 1990s saw Lenzi directing a number of TV productions that were never broadcast, causing him lament upon the change in Italian film industry. After 40 years and directing over 60 films, Lenzi has today more or less retired and left his mark as one of the most creative and inexhaustible cult film directors of Italy.

Highest Rated Movies

Filmography

MOVIES

RATING TITLE CREDIT BOX OFFICE YEAR
No Score Yet Paura: Lucio Fulci Remembered - Volume 1
  • Actor
2008
No Score Yet Detective Malone (Black Cobra 4)
  • Director
1991
No Score Yet Demoni 3 (Black Demons)(Black Zombies)
  • Director
1991
No Score Yet Paura nel Buio (Fear in the Dark) (Hitcher in the Dark )
  • Director
1989
No Score Yet Le porte dell'inferno (The Hell's Gate)
  • Director
1989
No Score Yet La Casa 3 (Ghosthouse)
  • Director
1988
No Score Yet Striker
  • Screenwriter
1988
No Score Yet Welcome to Spring Break (Nightmare Beach)
  • Director
1988
No Score Yet Bridge to Hell (Un ponte per l'inferno)
  • Actor
  • Director
1987
No Score Yet Ironmaster
  • Director
1983
No Score Yet Fatty Girl Goes to New York (Cicciabomba)
  • Director
1982
No Score Yet Cannibal Ferox
  • Director
1981
40% Incubo sulla città contaminata (Nightmare City) (Invasion by the Atomic Zombies)
  • Director
1980
No Score Yet Mangiati vivi
  • Director
  • Screenwriter
1980
No Score Yet From Corleone to Brooklyn (Da Corleone a Brooklyn)
  • Director
1979
No Score Yet From Hell to Victory
  • Director
1979
No Score Yet La Banda del gobbo (Brothers Till We Die)
  • Director
1978
No Score Yet Rome Armed to the Teeth (Roma a mano armata )
  • Director
1978
No Score Yet Eyeball (Gatti rossi in un labirinto di vetro)(The Secret Killer)
  • Director
1978
No Score Yet Death Rage
  • Producer
1977
No Score Yet Il cinico, l'infame, il violento (The Cynic, the Rat & the Fist)
  • Director
  • Screenwriter
1977
No Score Yet Napoli violenta
  • Director
1976
No Score Yet Assault With A Deadly Weapon
  • Director
1976
No Score Yet Syndicate Sadists
  • Director
1975
No Score Yet Spasmo (The Death Dealer)
  • Director
1974
No Score Yet Milano odia: la polizia non può sparare
  • Director
1974
No Score Yet Quiet Place to Kill (Paranoia)
  • Director
1973
No Score Yet Milano Rovente
  • Director
  • Screenwriter
1973
No Score Yet Sette orchidee macchiate di rosso (Seven Blood-Stained Orchids)
  • Director
1972
No Score Yet Sacrifice! (Il Paese del sesso selvaggio)
  • Director
1972
No Score Yet Knife of Ice (Il coltello di ghiaccio)
  • Director
1972
No Score Yet Un Posto ideale per uccidere(An Ideal Place to Kill)
  • Director
1971
No Score Yet Battle of the Commandos (La legione dei dannati) (Legion of the Damned)
  • Director
1969
No Score Yet Così dolce... così perversa (So Sweet... So Perverse)
  • Director
1969
No Score Yet Desert Commandos (Attentato ai tre grandi)
  • Director
1967
No Score Yet Kriminal
  • Director
1966
No Score Yet Sandokan the Great (Sandokan, la tigre di Mompracem)
  • Director
1963

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