The Tomatometer rating – based on the published opinions of hundreds of film and
television critics – is a trusted measurement of movie and TV programming quality
for millions of moviegoers. It represents the percentage of professional critic reviews
that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Brazilian filmmaker Hector Babenco was an internationally acclaimed director noted for his socially conscientious films that center on the people who live on the fringe of established society. During the 1970s, Babenco was influential in the development of his country's post-cinema nôvo movement. Babenco was born to Russian and Polish Jewish immigrants in Buenos Aires, Argentina. At age 18, he became interested in Beat authors and existential philosophy and decided to go on a "divine mission" to see the world. He spent seven years wandering over Africa, Europe, and North America, working at a variety of jobs. At one point he was an extra in Spanish and Italian spaghetti westerns. Babenco finally landed in Brazil in 1971 where he became intrigued with its new cinema and decided to become a filmmaker. Unfortunately, that year, the country's reigning military regime began heavily censoring the films and exiling most of the cinema nôvo directors. Babenco remained laying low, learning the art of filmmaking by doing documentaries, short films and commercials. At the same time, he began working on his first feature film, King of the Night (1975). In 1978, Babenco became the object of death threats and antagonism for his inflammatory drama Lucio Flavio (1978). Despite the controversy surrounding the film, it became the fourth highest grossing film in Brazil and helped reestablish the country's languishing film industry. Babenco first gained international acclaim for his 1981 film Pixote, a film which chronicled the daily misery faced by Brazil's burgeoning population of street children. The film is almost a documentary and centers on the improvisations of real homeless children. His first U.S. feature Kiss of the Spider Woman (1985), earned him an Oscar nomination for Best Director and won an Oscar for star William Hurt. He teamed up with Jack Nicholson and Meryl Streep for his next film, Ironweed (1987). Diagnosed with non-Hodgkin's lymphoma, Babenco took a break from the film industry for several years, and once recovered, worked mostly in Brazil with films like Foolish Heart (1998) and Carandiru (2003). His final film, My Hindu Friend (2015), starred Willem Dafoe and tells the story of a film director who is dying. Babenco passed away in 2016, at age 70.