The Tomatometer rating – based on the published opinions of hundreds of film and
television critics – is a trusted measurement of movie and TV programming quality
for millions of moviegoers. It represents the percentage of professional critic reviews
that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
American composer Henry Mancini was introduced to music by his Italian immigrant father, who tutored young Mancini on piano and flute. After World War II service, Mancini attended Carnegie Tech and Juilliard, played piano with the Glenn Miller Orchestra, and ultimately became a staff composer at Universal, writing snatches of music for everything from the studio's newsreels to the Abbott and Costello comedies. In 1954, he was given the opportunity to arrange the music for a film that might well have qualified as a labor of love: The Glenn Miller Story. The Academy Award nomination he received for this effort elevated Mancini's industry status, as did his long association with producer/director Blake Edwards. When Mancini wrote the jazzy theme music for Edwards' TV series Peter Gunn and Mr. Lucky, Mancini was so proud and protective of his work that he had a clause in his contract prohibiting the networks from running spoken "plugs" for upcoming programs over the closing-credit music. Mancini went on to win Oscars for his contributions to the Blake Edwards-directed films Breakfast at Tiffany's (1961), for which he wrote "Moon River"; Days of Wine and Roses (1962); and Victor/Victoria (1982). He also composed the theme to the popular television series Newhart (1982-90). The composer managed to put 20 Grammies on his shelf before his death in 1994. Though arguably the best-known film composer of his time, Henry Mancini was still modest enough in 1989 to title his autobiography Did They Mention the Music?