James Mason
Photos
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
No Score Yet | People of the Wind |
|
— | 1998 |
No Score Yet | Cold Sweat (De la part des copains) |
|
— | 1997 |
No Score Yet | The Assisi Underground |
|
— | 1985 |
No Score Yet | The Shooting Party |
|
— | 1985 |
No Score Yet | George Washington |
|
— | 1984 |
22% | Yellowbeard |
|
— | 1983 |
No Score Yet | Unknown Chaplin |
|
— | 1983 |
96% | The Verdict |
|
— | 1982 |
86% | Evil Under the Sun |
|
— | 1982 |
No Score Yet | Ivanhoe |
|
— | 1982 |
No Score Yet | Dangerous Summer |
|
— | 1982 |
33% | North Sea Hijack (ffolkes) (Assault Force) |
|
— | 1980 |
85% | Salem's Lot |
|
— | 1979 |
No Score Yet | Sidney Sheldon's Bloodline |
|
— | 1979 |
No Score Yet | Sidney Sheldon's 'Bloodline' |
|
— | 1979 |
No Score Yet | The Passage |
|
— | 1979 |
88% | Murder by Decree |
|
— | 1979 |
No Score Yet | The Water Babies |
|
— | 1978 |
70% | The Boys from Brazil |
|
— | 1978 |
89% | Heaven Can Wait |
|
— | 1978 |
No Score Yet | Homage to Chagall: The Colours of Love |
|
— | 1977 |
80% | Cross of Iron |
|
— | 1977 |
No Score Yet | Jesus of Nazareth |
|
— | 1977 |
89% | Voyage of the Damned |
|
— | 1976 |
No Score Yet | Origins of the Mafia |
|
— | 1976 |
No Score Yet | Street War |
|
— | 1976 |
No Score Yet | Gente di rispetto (The Flower in His Mouth) |
|
— | 1975 |
No Score Yet | Inside Out (The Golden Heist) (Hitler's Gold) |
|
— | 1975 |
No Score Yet | Autobiography of a Princess |
|
— | 1975 |
31% | Mandingo |
|
— | 1975 |
No Score Yet | Kidnap Syndicate (La città sconvolta: caccia spietata ai rapitori) |
|
— | 1975 |
No Score Yet | The Marseille Contract (The Destructors) |
|
— | 1974 |
No Score Yet | Great Expectations |
|
— | 1974 |
No Score Yet | 11 Harrowhouse |
|
— | 1974 |
No Score Yet | Bad Man's River |
|
— | 1974 |
No Score Yet | Frankenstein: The True Story |
|
— | 1973 |
92% | The Last of Sheila |
|
— | 1973 |
No Score Yet | Child's Play |
|
— | 1972 |
No Score Yet | Hunt the Man Down (Bad Man's River) |
|
— | 1971 |
No Score Yet | Kill |
|
— | 1971 |
No Score Yet | The Yin and Yang of Mr. Go |
|
— | 1971 |
No Score Yet | Cold Sweat |
|
— | 1970 |
No Score Yet | The London Nobody Knows |
|
— | 1969 |
100% | Age of Consent |
|
— | 1969 |
No Score Yet | Mayerling |
|
— | 1968 |
No Score Yet | Duffy |
|
— | 1968 |
No Score Yet | The Sea Gull |
|
— | 1968 |
No Score Yet | Cop-Out |
|
— | 1967 |
90% | Georgy Girl |
|
— | 1966 |
No Score Yet | The Deadly Affair |
|
— | 1966 |
No Score Yet | The Blue Max |
|
— | 1966 |
No Score Yet | Genghis Khan |
|
— | 1965 |
54% | Lord Jim |
|
— | 1965 |
64% | The Pumpkin Eater |
|
— | 1964 |
100% | The Fall of the Roman Empire |
|
— | 1964 |
No Score Yet | Hero's Island |
|
— | 1962 |
95% | Lolita |
|
— | 1962 |
No Score Yet | Escape from Zahrain |
|
— | 1962 |
No Score Yet | Tiara Tahiti |
|
— | 1962 |
86% | Journey to the Center of the Earth |
|
— | 1959 |
No Score Yet | A Touch of Larceny |
|
— | 1959 |
100% | North by Northwest |
|
— | 1959 |
No Score Yet | The Decks Ran Red |
|
— | 1958 |
No Score Yet | Cry Terror! |
|
— | 1958 |
No Score Yet | Island in the Sun |
|
— | 1957 |
93% | Bigger Than Life |
|
— | 1956 |
No Score Yet | Forever, Darling |
|
— | 1956 |
No Score Yet | Prince Valiant |
|
— | 1954 |
89% | 20,000 Leagues Under The Sea |
|
— | 1954 |
No Score Yet | The Tell-Tale Heart |
|
— | 1953 |
No Score Yet | The Man Between |
|
— | 1953 |
No Score Yet | Botany Bay |
|
— | 1953 |
95% | Julius Caesar |
|
— | 1953 |
No Score Yet | Charade |
|
— | 1953 |
80% | The Desert Rats |
|
— | 1953 |
No Score Yet | The Story of Three Loves |
|
— | 1953 |
No Score Yet | The Prisoner of Zenda |
|
— | 1952 |
100% | 5 Fingers |
|
— | 1952 |
71% | The Desert Fox |
|
— | 1951 |
86% | Pandora and the Flying Dutchman |
|
— | 1951 |
No Score Yet | One Way Street |
|
— | 1950 |
No Score Yet | East Side, West Side |
|
— | 1949 |
No Score Yet | Madame Bovary |
|
— | 1949 |
100% | Caught |
|
— | 1949 |
No Score Yet | The Reckless Moment |
|
— | 1949 |
100% | Odd Man Out |
|
— | 1947 |
No Score Yet | The Upturned Glass |
|
— | 1947 |
No Score Yet | Hotel Reserve |
|
— | 1946 |
No Score Yet | The Seventh Veil |
|
— | 1945 |
No Score Yet | The Man in Grey |
|
— | 1945 |
29% | The Wicked Lady |
|
— | 1945 |
No Score Yet | They Were Sisters |
|
— | 1945 |
No Score Yet | A Place of One's Own |
|
— | 1945 |
No Score Yet | Fanny by Gaslight (Man of Evil) |
|
— | 1945 |
No Score Yet | Candlelight in Algeria |
|
— | 1944 |
No Score Yet | They Met in the Dark |
|
— | 1943 |
No Score Yet | The Bells Go Down |
|
— | 1943 |
No Score Yet | Thunder Rock |
|
— | 1942 |
No Score Yet | Secret Mission |
|
— | 1942 |
No Score Yet | The Night Has Eyes |
|
— | 1942 |
No Score Yet | I Met a Murderer |
|
— | 1939 |
No Score Yet | The High Command |
|
— | 1938 |
No Score Yet | Return Of The Scarlet Pimpernel |
|
— | 1938 |
No Score Yet | Fire Over England |
|
— | 1937 |
No Score Yet | Mill on the Floss |
|
— | 1937 |
No Score Yet | Troubled Waters |
|
— | 1936 |
No Score Yet | Late Extra |
|
— | 1935 |
Quotes from James Mason's Characters
Ed Concannon: | They lied?! They lied?! |
Ed Concannon: | They lied? They lied! |
Clare Quilty: | Say, what you take it away for, mister? That was getting kind of smutty there! [laughs] |
Clare Quilty: | Say, what you take it away for, mister? That was getting kind of smutty there! |
Humbert Humbert: | Do you have any last words? |
Clare Quilty: | Listen, Mac. You're drunk, and I'm a sick man. This pistol-packing farce is becoming a sort of nuisance. |
Humbert Humbert: | Do you want to die standing up or sitting down? |
Clare Quilty: | I wanna die like a champion. |
Charlotte Haze: | Were there a lot of women in your life before me? |
Humbert Humbert: | I've told you about them already. |
Charlotte Haze: | Well, you didn't tell me about all of them. |
Humbert Humbert: | Charlotte, if it would make you any happier, I will sit right down and I will make out a complete list of every woman I have ever known. Will that satisfy you? |
Charlotte Haze: | Ohh, I'm lonesome...I think it's healthy for me to be jealous. It means that I love you. You know how happy I can make you. |
Humbert Humbert: | Our little starlet has had enough excitement for one evening...I wouldn't want you to miss any more piano lessons! You know what I'm talking about! |
Humbert Humbert: | Even in the most harmonious households such as ours, not all the decisions are taken by the female. Especially when the male partner has fulfilled his obligations beyond the line of duty. When you wanted me to spend one afternoon sun-bathing by the lake, I was glad to become the bronze, glamor boy for your sake, instead of remaining the scholar. Even then, I'd scoot along after you like an obliging little lap dog -- oh yes, I'm happy, I'm delighted to be bossed by you, but -- every game has its rules. |
Humbert Humbert: | Didn't you have a daughter with a lovely name? |
Captain Nemo: | I am not what is called a civilized man, Professor. I have done with society for reasons that seem good to me. Therefore, I do not obey its laws. |
Myra Gardner: | Well, what the hell do we do now, Odell? |
Odell Gardener: | Just leave it to me. I'll think of something. |
Myra Gardner: | Hmmph, my hero. I swear, if you were a man I would divorce you. |
Phillip Vandamm: | Has anyone ever told you that you overplay your various roles rather severely, Mr. Kaplan? |
Roger O. Thornhill: | The three of you together. Now that's a picture only Charles Addams could draw. |
Phillip Vandamm: | Good evening Mr. Kaplin. |
Roger O. Thornhill: | Before we start calling each others names, perhaps you'd better tell me yours. I haven't had the pleasure. |
Phillip Vandamm: | You disappoint me. |
Roger O. Thornhill: | I was gonna say that to her. |
Phillip Vandamm: | What possesses you to come blundering in here like this? Could it be an overpowering interest in art? |
Roger O. Thornhill: | Yes, the art of survival. |
Phillip Vandamm: | You're a bit taller than I expected, a little more polished... |
Roger O. Thornhill: | (sarcastically) I'm so glad you're pleased Mr. Townsend. |
Roger O. Thornhill: | [sarcastically] I'm so glad you're pleased Mr. Townsend. |
Phillip Vandamm: | But I'm afraid it's just as obvious. |
Roger O. Thornhill: | Now why the devil was I brought here? |
Phillip Vandamm: | (sitting down) Games? Must we? |
Phillip Vandamm: | [sitting down] Games? Must we? |
Roger O. Thornhill: | (Learning Vandamm's name for the first time) Oh, Mr Vandamm... |
Roger O. Thornhill: | [learning Vandamm's name for the first time] Oh, Mr Vandamm... |
Phillip Vandamm: | (turning his eyes on Thornhill) Has anyone ever told you that you overplay your various roles rather severely Mr Kaplin? First you play the outraged Madison Avenue man who claims to have been mistaken for someone else. Then you play the fugitive from justice, supposedly trying to clear his name of a crime he knows he didn't commit. And now you play the peevish lover, stunned by jealousy and betrayal. Seems to me you fellows can take less training from the FBI and more from the Actors' Studio... |
Phillip Vandamm: | [turning his eyes on Thornhill] Has anyone ever told you that you overplay your various roles rather severely Mr Kaplin? First you play the outraged Madison Avenue man who claims to have been mistaken for someone else. Then you play the fugitive from justice, supposedly trying to clear his name of a crime he knows he didn't commit. And now you play the peevish lover, stunned by jealousy and betrayal. Seems to me you fellows can take less training from the FBI and more from the Actors' Studio... |
Roger O. Thornhill: | Apparently the only performance that will satisfy you is when I play dead. |
Phillip Vandamm: | Your very next role, and you'll be quite convincing I assure you... |
Mark Petrie: | (shouts) - What did you do to her? |
Mark Petrie: | (shouts) What did you do to her? |
Richard Straker: | I've taken her to where she wished to go... To meet the man she came here to meet. |
Richard Straker: | I've taken her to where she wished to go. To meet the man she came here to meet. |
Richard Straker: | Oh, you're the writer...On vacation or "vocation"? |
Richard Straker: | Oh, you're the writer. On vacation or 'vocation'? |
Richard Straker: | You have some expertise. |
Ben Mears: | No, not really. I just happen to know something about silver. My aunt had some Georgian and we had to sell it when she died. |
Richard Straker: | What an unfortunate way to acquire knowledge. |
Richard Straker: | You'll enjoy Mr. Barlow. And he'll enjoy you. |
Richard Straker: | The master wants you. Throw away your cross, face the master. Your faith against his faith... Could you do that? Is your faith enough? Then do it...Throw away the cross. Face the master...Faith against faith. |
Richard Straker: | The master wants you. Throw away your cross, face the master. Your faith against his faith. Could you do that? Is your faith enough? Then do it. Throw away the cross. Face the master. Faith against faith. |
Humbert Humbert: | We don't read other people's diaries now, do we? |
Humbert Humbert: | I want you to live with me and die with me and everything with me! |