The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The son of an amateur musician, Jerry Reed spent his formative years laboring in the cotton fields of Georgia, teaching himself the guitar in his spare time. At 18, Reed was hired by Capitol Records as a staff songwriter. One of his first compositions, "Crazy Legs," proved to be a hit for C&W star Gene Vincent; likewise, Elvis Presley scored successes with Reed's "Guitar Man" and "U.S. Males." After army service, Reed established himself as one of the most highly sought-after studio guitarists in the business. He made his mark as a singer in his own right with his best-selling 1967 rendition of "Guitar Man." Reed went on to win a Grammy award for his 1970 chart-topper "Amos Moses"; his later number-one hits included 1971's "When You're Hot, You're Hot" and 1982's "She Got the Goldmine (I Got the Shaft)." He augmented his recording fame as a regular on the TV series The Glen Campbell Goodtime Hour, then as star of his own summer-replacement variety weekly, 1972's The Jerry Reed When You're Hot You're Hot Hour. By 1977, Reed had pretty much put his recording activities on the back burner in favor of his blossoming film career. He made his movie bow in Burt Reynolds' W.W. and the Dixie Dancekings (1975), then went on to co-star as Cletus in Reynolds' two Smokey and the Bandit outings, composing the musical score for both films. Reed was elevated to second billing in the Reynolds-less Smokey and the Bandit III (1983), but only after the film had been unsuccessfully previewed with Jackie Gleason playing both Smokey and the Bandit. Jerry Reed made his film directorial debut with 1981's What Comes Around.