The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Hartley Wintney, Hampshire, England, UK
Director John Duigan first attracted attention with such low-budget films as The Trespassers (1976) and Mouth to Mouth (1978), which he also wrote and directed. These films were centered in Duigan's adopted homeland of Australia, but their theme of youthful alienation and confusion struck a universal chord. Duigan's The Year My Voice Broke (1988) is perhaps the best of his many explorations of the painful coming-of-age process; its sequel, the 1991 Flirting was similarly effective in its portrayal of disaffected teens in love. Duigan also varied his subject matter with Romero (1989), a heartfelt but objective biography of controversial Salvadorian clergyman Oscar Romero, and Wide Sargasso Sea (1992), an adaptation of Jean Rhys' tale of madness and seduction. In 1994, Duigan won acclaim for Sirens, a likably erotic story of artistic expression in the Australian Outback of the 1920s starring Hugh Grant and Sam Neill. After finding further critical--if not commercial--approval with films like The Journey of August King (1995) and Lawn Dogs (1997), Duigan reappeared in 1999 with Molly, the story of an autistic woman (Elisabeth Shue) who is revealed to be a genius following surgery to cure her of her mental affliction.