The Tomatometer rating – based on the published opinions of hundreds of film and
television critics – is a trusted measurement of movie and TV programming quality
for millions of moviegoers. It represents the percentage of professional critic reviews
that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Hard-luck girl Juanita Hansen starred opposite both William S. Hart and Tom Mix, and was at one time or another a contract actress for both Mack Sennett and D.W. Griffith. Yet, it was as a contender to the throne of serial queen Pearl White that she earned her small measure of fame. Hansen went into films straight out of high school, first as a bit player then as a member of Sennett's famed coterie of Bathing Beauties. A small supporting role in The Martyrs of the Alamo (1915), supervised by Griffith, and a desire to escape slapstick comedy led to appearances opposite William S. Hart in The Poppy Girl's Husband (1919) and Tom Mix in Rough Riding Romance (1919). Stardom finally arrived when Colonel William N. Selig cast her as imperiled Princess Elyata in The Lost City (1920), a 15-chapter serial. Its popularity earned her a berth with the top serial-maker of the day, Pathé, which was searching for a replacement for the retiring Pearl White.Pathé starred the blonde looker in The Phantom Foe (1920), a 15-chapter serial created by the same team that had elevated Pearl White to fame: producer/writer/director George B. Seitz, writer/director Bertram Millhouser, and writer Frank Leon Smith. Also present were White's best-remembered foe, Warner Oland, and her stunt-double, Joe Cuny. Success was practically guaranteed and Hansen was immediately ushered into The Yellow Arm (1921), again opposite Oland and with Millhouser returning as director. All was not well, however, and Hansen was reportedly looking visibly ill and fatigued. Cocaine addiction was taking a toll. Pathé unceremoniously cancelled her contract. She sought help, was apparently cured, and made her Broadway debut in The High Hatters in 1928. Alas, tragedy struck again when she suffered burns from scalding water after fainting in her hotel bathtub. The doctors ordered morphine to ease the pain and she became addicted once more. In 1934, apparently cured a second time, Hansen made her final screen appearance as a cabaret singer in Monogram's ultra low-budget Sensation Hunters. When no further offers were forthcoming, she toured carnivals, appeared in burlesque, and spoke publicly against the drug menace. There was a suicide attempt in 1941 -- "I'm tired of fighting life. I can't stand it. I'd rather die than live," she told a reporter -- but she survived and spent the remainder of her life as a clerk for Southern Pacific Railway.