The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Though she has an Ivy League degree, Leslie Stefanson decided to parlay her all-American beauty into a modeling and acting career in the 1990s. Raised in Moorhead, MN, Stefanson left behind her small-town roots to attend Columbia University's Barnard College in New York City. First stepping in front of the cameras as a model, Stefanson added acting to her resume a couple of years after graduation with a bit part in the comedy The Cowboy Way (1994). Stefanson bolstered her new career with small roles in The Mirror Has Two Faces (1996) and Flubber (1997), as well as playing Helen Hunt's fellow waitress in the Oscar-winning hit As Good As It Gets (1997). Stefanson landed her first starring role in the comic thriller Delivered (1998), but it was the flashy John Travolta vehicle The General's Daughter (1999) that finally earned her more than passing notice. As the mysteriously murdered title character, Stefanson's wholesome blondeness became an innocent, fragile surface for the military woman's seamy after-hours exploits and dark past. Though the critics deemed the onscreen treatment of the general's daughter grossly exploitative, complete with an overly stylized gang rape, The General's Daughter became a summer hit. Stefanson further raised her profile the following year by playing Joan Kennedy in the TV miniseries Jackie, Ethel, Joan: the Women of Camelot (2000) and by taking a small role in Hollywood wunderkind M. Night Shyamalan's Unbreakable (2000). But her lead performance in Sally Field's critically lambasted beauty pageant satire Beautiful (2000), was little-seen.