The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Before deciding upon an acting career, Philadelphia-born Linda Fiorentino briefly flirted with the notion of becoming a lawyer. Fiorentino fans consider her first year of filmmaking her most rewarding, and her inaugural movie role as an erstwhile, love-struck artist in Vision Quest (1985) among her finest performances. After a conventional heroine stint in Gotcha! (1985), she raised eyebrows (and temperatures) as a mellow sculptress with a predilection for kinky sex games in the bizarre After Hours (1985). But Fiorentino was seldom well served in later pictures, hampered by too many nondescript performances in ensemble films. Then came her startling portrayal of the utterly amoral "black widow" Bridget in John Dahl's low-budget sleeper The Last Seduction (1994). In a less rule-bound world, the actress would have been nominated for an Oscar, but the film was, unfortunately, shown on cable TV before its theatrical release, thus rendering it ineligible for the Academy race. The success of The Last Seduction and Fiorentino's widely praised performance provided the resuscitation her career needed, but subsequent lead roles in a series of complete turkeys -- most notably the David Caruso thriller Jade (1995) and Dahl's Unforgettable (1996) -- quickly negated the film's positive effects. Fiorentino did enjoy a measure of acclaim for her role as Jesus Christ's only living descendent in Kevin Smith's Dogma (1999), and she continued to work steadily in all sorts of films, including Thaddeus O'Sullivan's Ordinary Decent Criminal, in which she played one of the loves of a charismatic Dublin criminal (Kevin Spacey).