The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Screenwriter Lowell Ganz was 23 years old when he was taken under the wing of TV producer Gary Marshall as a member of the writing staff of the popular sitcom The Odd Couple. Marshall liked Ganz's offbeat sense of humor and his willingness to work long hours for the sake of a laugh; by 1974, Ganz was a co-producer of Happy Days. During his tenure on Laverne and Shirley, which he helped develop, Ganz and writer Mark "Babaloo" Mandel formed a screenwriting team, distinguished by a fondness for unorthodox comic situations. A prime example of this style was Ganz and Mandel's first movie screenplay, Night Shift (1982), the story of a morgue attendant who runs a prostitution service in his off-hours. Night Shift reunited Ganz and Mandel with Happy Days confreres Henry Winkler (the star) and Ron Howard (the director); it was Howard who insisted that the writing team pen his next project, Splash (1984), a man-and-mermaid romance. With this hit under their belts, Ganz and Mandel became one of the hottest duos in Hollywood, turning out such subsequent hits as Parenthood (1989) and City Slickers (1991). When Ganz and Mandel's A League of Their Own (1992) (which co-starred their mentor Garry Marshall) was spun off into a TV series, the team came full circle, once more burning the midnight oil as sitcom scriveners.