The Tomatometer rating – based on the published opinions of hundreds of film and
television critics – is a trusted measurement of movie and TV programming quality
for millions of moviegoers. It represents the percentage of professional critic reviews
that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Brought to films in 1949 on the strength of her beauty and dancing skills, Machiko Kyo unexpectedly proved to be an actress of unusual power and intensity. Only 18 years old when she burst onto the international film scene as the humiliated wife in Akira Kurosawa's Rashomon (1953), she followed this triumph with such roles as the ghostly Lady Wakara in Kurosawa's Ugetsu (1954) and the much-desired Lady Kesa in Teinosuke Kinusaga's Gate of Hell (1954). In 1955, she essayed the title role in Princess Yang Kwei Fei, one of her several collaborations with director Kenji Mizoguchi. Her English-language film debut came in 1956, when she was cast opposite Marlon Brando and Glenn Ford in the Okinawa-based Teahouse of the August Moon. Retiring from films in 1976, Machiko Kyo made one last screen appearance in 1985's Kesho.