The Tomatometer rating – based on the published opinions of hundreds of film and
television critics – is a trusted measurement of movie and TV programming quality
for millions of moviegoers. It represents the percentage of professional critic reviews
that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Arguably the most beautiful artiste to ever grace the Indian screen, Madhubala rose from humble beginnings to become the most captivating star India has ever produced. Madhubala was born Mumtaz Jehan Begum on Valentine's Day 1933, in a poor, conservative family of Pathan Muslims in Delhi, a part of a prolific brood of sisters, and entered the world of films at the tender age of eight. After about five years of playing child roles, Madhubala got her first break in a lead role in Neel Kamal (1947), produced anddirected by her mentor, veteran filmmaker Kidar Sharma. At the age of 14, she played a romantic lead against another fledgling star, Raj Kapoor, and Madhubala had finally arrived on the Indian screen. Over the next two years she had blossomed into a truly rapturous beauty (which earned her the sobriquet of the Venus Of the Indian Screen) and with the movie Mahal (1949), literally overnight, she was a superstar.It has been often said that her beauty overshadowed her acting talents, which to an extent is true; however this was more due to poor judgement than lack of talent. Being encumbered by a large family to support, and forever living under the domination of an imperious father who, she made several poor choices in movies which seriously undermined her credibility as a serious performer, to the extent of being labelled "box-office poison". However, her more or less dismal repertoire in the 50s was marked by spots of true brilliance - movies like Tarana (1951), Mr. & Mrs. '55 (1955) and of course her swansong Mughal-E-Azam (1960) showcased her remarkable talents as a serious artiste across several genres and revealed what this ethereal beauty was truly capable of.Sadly, she was plagued by a persistent heart disease that confined her to a bed for almost nine torturous years, and eventually claimed her life on February 23 1969, nine days after her 36th birthday. In this short life, she had made over 70 movies, and to this day remains one of the most enduring legends of Indian cinema.Daughter of Attaullah Khan.Formed a popular screen couple with Dev Anand Dilip Kumar.Screen name Madhubala given to her by veteran actress Devika Rani.After she was diagnosed as having a hole in her heart, she put on a brave face and her illness was kept a secret from the industry for many years. She frequently used to cough up blood on sets, and eventually her illness forced her to end her career.She and Dilip Kumar met on the set of Tarana (1951) when she was eighteen years-old. While filming, she sent her hairdresser with a note written in Urdu along with a red rose asking him to accept it if he loved her, which intrigued and amused him and so he accepted the rose.She and Dilip Kumar had a seven-year courtship, but abruptly ended when she could not face her father's opposition to Dilip and ultimately had to bow out of B.R. Chopra's film opposite him following a scandalous court case.She was proposed to by Bharat Bhushan, Pradeep Kumar, and Kishore Kumar. She eventually married the latter of the three, Kishore, who converted to Islam just to marry her, but Madhubala soon realized that she had made a mistake in marrying him, as she truly loved and desperately wanted to marry Dilip.