The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Every so often, some well-meaning film historian draws up a list of famous female directors. On occasion, the name of Marion Gering sneaks onto that list--even though the Russo-Polish Gering was, in the words of critic Andrew Sarris, a "certified male." Born in Russia, Gering began his stage career there. He came to the U.S. in 1924; shortly thereafter he established the Chicago Play Producing Company, an experimental theatrical troupe. After directing on Broadway, Gering was brought to Hollywood during the early stages of the talkie revolution. Under contract to Paramount, Gering directed such formidable leading ladies as Carole Lombard (I Take This Woman ), Tallulah Bankhead (Devil and the Deep , which was also Charles Laughton's first American film) and Sylvia Sidney (Madame Butterfly ). His films were serviceable if lacking in style; they were ideal "star vehicles," directed so unobtrusively that attention would never be taken away from the leading man or woman. In 1937, Gering travelled to England to direct the Edward G. Robinson vehicle Thunder in the City. Later on, when his Hollywood career had dried up, Marion Gering would again set up shop overseas, directing and co-producing the Cuban Sarumba (1950) and the Japanese-Italian Violated Paradise (1963).