The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
American actress Merry Anders was a professional model when she signed her first studio contract in 1951. After two years of uncredited bits in such 20th Century-Fox features as Belles on Their Toes (1952) and Titanic (1953), Merry found more rewarding work on TV. From 1953 through 1955, she appeared in The Stu Erwin Show, replacing Ann Todd in the role of Joyce, Erwin's oldest daughter. While most of her film assignments were along the bargain-basement lines of The Dalton Girls (1957) and The Hypnotic Eye (1960), Merry built up a reputation as "queen" of the TV pilot films. If she appeared as guest star in the pilot episode of a potential series, that series would most likely be sold. Merry would be the last person to insist that she was a great actress; her "versatility" in her many TV roles consisted of changing her hair color as often as possible. It was as a redhead that Merry was cast in the lead of the syndicated sitcom How to Marry a Millionaire, which ran from 1958 through 1960. After this assignment, Merry continued to show up as a blonde, brunette and redhead in such deathless movie offerings as Women of the Prehistoric Planet (1966) and Legacy of Blood (1973). In the late 1960s, she had a semi-recurring role on Dragnet as a super-efficient policewoman; the character was meant to develop into a love interest for Joe Friday (Jack Webb), but the series never went in that direction. It can be argued that Merry Anders' most memorable performance (and the one most often seen these days) was as a woman who is drowned in a phone booth (!) on a 1966 episode of Get Smart.