The Tomatometer rating – based on the published opinions of hundreds of film and
television critics – is a trusted measurement of movie and TV programming quality
for millions of moviegoers. It represents the percentage of professional critic reviews
that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
French leading man Michel Piccoli spent most of his time from 1945 through 1955 on the French stage, primarily with Theatre Babylone and the Reynauld-Barrault Company. He enjoyed nominal film stardom from 1955 onward, though it was not until 1961's Le Doulos that he truly became "box office," specializing in worldly, cynical roles. Like Hollywood's Cary Grant, Jimmy Stewart, and Gary Cooper, Piccoli was possessed of that rare gift of being able to adapt himself to virtually any kind of material without altering his essential screen persona. And like those aforementioned actors, Piccoli's talents suited the prerequisites of a wide variety of directors: not many contemporary performers can claim to have worked with Alfred Hitchcock, Jean-Luc Godard, Costa-Gavras, Luis Bunuel, and Louis Malle. Piccoli's acting awards include a Cannes Festival prize for 1979's Salto nel Vuoto and a 1982 Berlin Festival honor for Une Etrange Affaire. In 1991, Piccoli once again won international acclaim for his portrayal of an artist suffering from a creative block in La belle noiseuse. He subseqently continued to do steady work in pictures of varying quality, one highlight being Raul Ruiz's 1997 Généalogies d'une Crime, which cast Piccoli as a doctor caught up in a murder mystery. In 1976, Piccoli recorded his remarkable career on the page when he co-wrote a semi-autobiography, Dialogue Egoistes.