The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Of German descent, American silent screen actor Arnold Kaiser wisely changed his name to the less inflammatory Norman Kerry at the outset of World War I. With his waxed mustache and devilish smile, Kerry would become a popular leading man to such powerful female stars as Mary Pickford, Lillian Gish, Marion Davies, and Corinne Griffith. But the actor's lack of thespian qualities became painfully obvious when directorErich Von Stroheim surprisingly chose him to portray his alter ego in The Merry-Go-Round (1923). Much of Kerry's inadequacy could be blamed on Von Stroheim's replacement, Rupert Julian, and Kerry was equally unsatisfactory as the nominal leading man in Julian's later Phantom of the Opera (1925). An early talkie, Bachelor Apartment (1931), only proved that Kerry had little future in sound films. He did not have a good speaking voice, a fact he tended to hide by mumbling. Offscreen, Kerry earned the same kind of notoriety as the later Errol Flynn and he generated a great deal of publicity by stowing away on an ocean liner in an attempt to woo back an estranged wife. He later joined the French Foreign Legion, returning to the U.S. only when France was invaded by Nazi Germany.