The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
An actor with publicized demons, Peter Greene made a name for himself with his ability to convey raw yet quiet menace. Born and raised in New Jersey, Greene headed to New York as a teenager, but did not discover acting until his mid-20s. Trained at the Lee Strasberg Theatre Institute, Greene acted in several plays and made his film debut as one of the central thieves in Nick Gomez's edgy New York story Laws of Gravity (1991). Burnishing his baleful screen presence with performances as an insane father in the violent indie Clean, Shaven (1993) and a gangster in Judgment Night (1993), Greene relocated to Hollywood and made his intense presence felt in a trio of hit films. Following a substantial supporting role as one of the bad guys in the Jim Carrey comedy The Mask (1994), Greene played small yet crucial parts in two key 1990s gangster films: the infamous sadist (and chopper owner) Zed in Pulp Fiction (1994) and the sinister fence Redfoot in The Usual Suspects (1995). Following his performance as a blackmailer in The Rich Man's Wife (1996), Greene went into rehab to kick a near-lethal drug addiction. After his release, Greene returned to playing the heavy in both indie and Hollywood productions, including a bad cop in Bang (1997), Martin Lawrence's former criminal partner in Blue Streak (1999), and one of Ben Stiller's drug buddies in the addiction memoir Permanent Midnight (1998).