The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Matchless Russian ballet dancer Rudolph Nureyev had a passing relationship with films as early as 1958, when as a member of the Kirov Ballet (later the Saint Petersburg Ballet), he was prominently featured in the Soviet short subject Le Corsaire. After his defection to the West in 1961, Nureyev confined his activities to the ballet stage, most often in collaboration with longtime partner Margot Fonteyn. Fortunately, there are several filmed records of Nureyev at work, even though they make no great cinematic breakthroughs: An Evening With the Royal Ballet (1963), Romeo and Juliet (1966), Swan Lake (1967), Sleeping Beauty (1970), and Don Quixote (1973). Nureyev's best film work, both in terms of ballet and in showing his nonperforming "human" side, was the 1973 documentary I Am a Dancer. He also contributed a brace of dramatic performances, first in Ken Russell's Valentino (1973) (his Rudolph Valentino was far more blatantly erotic, and a lot nuder, than the genuine article), then in 1983's Exposed, in which Nureyev, in the role of a musician, has a mind-boggling scene in which he "plays" Nastassja Kinski's body like a violin. Even more curious was Rudolph Nureyev's onscreen credit as choreographer for the low-budget adventure film The Invincible Six (1968); it's not exactly clear whether he choreographed the flying bullets or the spurting bloodpacks.