Seijun Suzuki - Rotten Tomatoes

Seijun Suzuki

Highest Rated:   100% Branded to Kill (1967)
Lowest Rated:   79% Pistol Opera (2001)
Birthday:  
Birthplace:   Tokyo, Japan
Seijun Suzuki's career fell into two distinct parts. From the late 1950s until 1967, he was a director of production-line genre flicks at Nikkatsu studios. While working in this seemingly hostile environment, Suzuki cranked out some of the most bizarre, nihilistic, and brilliant gangster films ever committed to celluloid. During the 1980s, Suzuki reinvented himself as a renowned art film director who received numerous awards and much critical praise. In both incarnations, Suzuki was considered one of the most important and influential voices in Japanese cinema.Born Seitaro Suzuki in Tokyo on May 24, 1923, he failed the entrance exam for the Ministry of Agriculture's college because of his weakness in science. Instead he attended a small college in northern Akita prefecture until he was called up for military service. He witnessed the war first-hand as a second-class private for the Navy, an experience that he found "comical." Upon returning to Japan, he enrolled in the film department of the Kamakura Academy and passed the entrance exam for Shochiku studios. There he worked as an assistant director under Noboru Nakamura, among others. In 1954, he transferred to Nikkatsu, the most sordid and sensational of Japan's four leading studios.Nikkatsu's mainstays in the 1960s were either ultra-violent yakuza- (gangster) films or sado-masochistic soft-core sex films called pinku eiga. Suzuki soon proved himself adept at cranking out studio-scripted quickies, and he ultimately churned out some 40 films for Nikkatsu during the fifteen years he worked for them. Such early titles as The Nude and the Gun and High-teen Yakuza already exude the two-fisted flamboyance of his later, more developed works.With his 1958 film Beauty of the Underworld, he first signed his name "Suzuki Seijun," and in 1963, bored with production-line genre material, he began to assert his own voice in Youth of the Beast. The film opens in black-and-white, then switches to color. A sandstorm appears suddenly, as a junkie prostitute is being whipped. A gay yakuza parks his pink limo beneath matching cherry blossoms. Beginning with this film, Suzuki increasingly emphasized the absurdities of the genre and the artifice of the medium.Suzuki's extreme style eventually drew criticism from studio executives. In 1966, after repeated commands to tether his flamboyance, Suzuki created Tokyo Drifter in seeming defiance of the studio. The film is the yakuza genre reductio ad absurdum, held together with only the barest attention to logic or narrative coherence. Suzuki's pop-art aesthetics and loopy cinematic devices almost crowd out the plot. Yet miraculously, the film shocks, thrills, and entertains. His 1967 work Branded to Kill proved to be the straw that broke the camel's back. The film was so rococo, so gleefully nihilistic, so utterly bizarre that it prompted enraged studio officials to fire Suzuki. Today, Branded to Kill and Tokyo Drifter are considered Suzuki's masterpieces.Suzuki was effectively blacklisted from filmmaking until 1977. During those ten years, the Japanese film industry began to decline and the formerly rigid studio system collapsed. In 1980, Suzuki, now without the constraints of Nikkatsu, released Zigeunerweisen, the first of his "Taisho Trilogy," a haunting, grotesque film about identity in the 1920s, when Japan first began to adopt Western culture. This film won a prize at the 1981 Berlin Film Festival and was voted the best Japanese film of the 1980s by Japanese critics. After completing Kagero-za and Yumeji, the last two chapters of the "Taisho Trilogy," Suzuki stopped shooting features, although he continued to shoot pieces for television. In 1988, the Edinburgh Film Festival presented the first Western retrospective of Suzuki's films. Suzuki died in 2017, at age 93.

Highest Rated Movies

Filmography

MOVIES

RATING TITLE CREDIT YEAR
No Score Yet Kawachi Karumen
  • Director
2015
No Score Yet Akutaro (The Bastard)
  • Director
2013
No Score Yet Tatooed Life (Irezumi ichidai)
  • Director
2013
No Score Yet Rabu retâ (Love Letter)
  • Director
2013
No Score Yet Hana to dotô (The Flower and the Angry Waves)
  • Director
2012
No Score Yet Princess Raccoon (Operetta tanuki goten)
  • Director
2005
No Score Yet Kôfuku no kane, (Blessing Bell)
  • Actor
2003
79% Pistol Opera
  • Director
2001
No Score Yet Em Embalming
  • Actor
1999
No Score Yet Fuyajo (Sleepless Town)
  • Actor
1998
95% Cold Fever
  • Hirata's Grandfather
1996
No Score Yet Yumeji
  • Director
1991
No Score Yet Lupin III: The Gold of Babylon (Rupan sansei: Babiron no Ôgon densetsu)
  • Director
1985
No Score Yet Kagerô-za (Heat-Haze Theatre)
  • Director
1981
No Score Yet Zigeunerweisen (Tsigoineruwaizen)
  • Director
1980
No Score Yet Hishu monogatari (A Tale of Sorrow and Sadness)
  • Director
1977
100% Branded to Kill
  • Director
1967
No Score Yet Fighting Elegy
  • Director
1966
No Score Yet Irezumi ichidai (Tattooed Life)
  • Director
1966
100% Tokyo Drifter
  • Director
1966
No Score Yet Elegy To Violence (Kenka Erejii)
  • Director
1966
No Score Yet Shunpu den (Story of a Prostitute)
  • Director
1965
No Score Yet Gate of Flesh
  • Director
1964
No Score Yet Kanto Wanderer
  • Director
1963
83% Youth of the Beast (The Brute) (Yajû no seishun)
  • Director
1963
No Score Yet Detective Bureau 2-3: Go to Hell Bastards (Tantei jimusho 23: Kutabare akuto-domo)
  • Director
1963
No Score Yet Everything Goes Wrong (Subete Ga Kurutteru)
  • Director
1960
No Score Yet Jûsangô taihi-sen ori: Sono gôshô o nerae (Take Aim at the Police Van)
  • Director
1960
No Score Yet Ankokugai no bijo (Beauty of the Underworld) (Underworld Beauty)
  • Director
1958

Quotes from Seijun Suzuki's Characters

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