Yimou Zhang

Highest Rated: 100% Lumière and Company (1996)
Birthday: Nov 14, 1951
Birthplace: Not Available
Zhang Yimou is one of the best-known directors of the Chinese Fifth Generation and one of the most influential and widely respected filmmakers working today. Zhang was born in 1950, in the city of Xi'an in Shaanxi Province, to a future in Communist China that seemed unpromising; his father was an officer in Chiang Kai-shek's Kuomintang Army and one of his brothers was accused of being a spy, while another fled to Taiwan. During the 1950s, his family's background was suspect and during the convulsive tumult of the Cultural Revolution of the 1960s, it was criminal. Zhang was pulled out of high school and sent to toil with the peasants. Later, he transferred to a textile factory. While working there, Zhang reportedly sold his own blood to buy his first camera. In 1976, the Cultural Revolution came to an abrupt end with the death of Mao Zedong. Deng Xiaopeng, his eventual successor, began reopening the many universities that were closed during the final chaotic decade of Mao's reign. In 1978, at the age of 27, Zhang passed the entrance exam for the Beijing Film Academy but was rejected on account of his age. After an appeal to the Ministry of Culture, however, he was enrolled in the B.F.A.'s class of 1982. His classmates included Chen Kaige, Tian Zhuangzhuang, and Zhang Junzhao, filmmakers who would eventually form the core of the Fifth Generation. Zhang, along with three others from among his cohorts, was assigned to faraway Guangxi Film Studio after graduation, ostensibly to work as director's assistants, but they soon learned that there were no directors to assist. With government permission, they formed the Youth Team and began making their own films. Zhang worked as a cinematographer on a number of significant films, including Zhang Junzhao's groundbreaking One and Eight (1984) and Chen Kaige's masterpiece Yellow Earth (1984), which took the Hong Kong Film Festival by storm and brought worldwide attention to Chinese cinema. Later, Zhang was transferred to his hometown of Xi'an and served as both cinematographer and lead actor in Wu Tianming's Old Well (1987), which won him a best actor award at the Tokyo International Film Festival. After this initial success, Zhang's fortunes improved significantly when he was permitted to direct his first film, Red Sorghum (1987), which won the Golden Bear at the Berlin Film Festival and achieved critical and commercial success, both internationally and domestically. An earthy account of sex and oppression against the backdrop of Japan's bloody invasion of China, the film seemed to be a conscious repudiation of the contemplative, detached style of Yellow Earth. Red Sorghum crackles with dynamic edits, striking close-ups, and gorgeously photographed images. But Zhang's biggest stroke of luck turned out to be his discovery of a vivacious 21-year-old named Gong Li at the Central Drama Academy in Beijing. Their professional and well-publicized personal relationship would shape Chinese cinema for the better part of a decade. His movies made her an international star and her presence gave his films an exoticism and feminist-edged sex appeal that pulled in audiences. After the thoroughly forgettable Codename Cougar (1987), Zhang made Ju Dou (1989), which won Best Film at the Chicago Film Festival and garnered an Academy Award nomination. Zhang's first film after the Chinese government's bloody 1989 crackdown at Tianamen Square was a thinly veiled political allegory about a young woman who is forcibly married to an abusive, sexually impotent old man who runs a dye-house. His next film, Raise the Red Lantern (1992), widely considered his finest, also concerned a woman married into a controlling, abusive patriarchal world. Both movies were seen everywhere but China, thanks to government censors. Both were set in the 1920s before the Communists came to power; and both featured sumptuous photography and a formal, controlled style that made heavy use of montage. In each film, Zhang meticulously explored

Highest Rated Movies



36% The Great Wall Director $45.2M 2017
88% Coming Home Director $0.3M 2015
No Score Yet Lady Of The Dynasty (Wang Chao De Nv Ren: Yang Gui Fei) Director 2015
No Score Yet Trespassing Bergman Actor 2013
42% The Flowers of War Director $0.4M 2011
No Score Yet Under the Hawthorn Tree (Shan zha shu zhi lian) Director 2010
33% A Woman, A Gun and a Noodle Shop (San qiang pai an jing qi) (A Simple Noodle Story) (The First Gun) Director $0.2M 2010
No Score Yet The Bright Red Lanterns Hung High Director 2008
No Score Yet Tan-Dun: The First Emperor Actor 2008
65% Curse of the Golden Flower Producer Director Screenwriter $6.5M 2006
80% Riding Alone for Thousands of Miles Screenwriter Director 2006
88% House of Flying Daggers Screenwriter Producer Director $11M 2004
95% Hero Director $53.6M 2004
No Score Yet Le Secret Des Poingnards Volants Director 2004
72% Happy Times Director 2002
89% The Road Home (Wo de fu qin mu qin) Director $0.4M 2001
95% Not One Less Director 2000
No Score Yet You hua hao hao shuo (Keep Cool) Director The Peddler 1998
100% Lumière and Company Actor 1996
87% Shanghai Triad (Yao a yao yao dao waipo qiao) Director 1995
86% To Live (Huo zhe) Director 1994
86% The Story of Qiu Ju (Qiu Ju da guan si) Director 1992
96% Raise the Red Lantern (Da hong deng long gao gao gua) Director 1992
100% Ju Dou Director 1990
No Score Yet Qin yong (A Terra-Cotta Warrior) Actor 1989
82% Red Sorghum (Hong gao liang) Director 1987


No Score Yet Great Performances at the Met
  • 2007
No Score Yet Great Performances


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