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Alberto Bermejo

Alberto Bermejo's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
The Truth (2019) 87% 4/5 EDIT “[The movie] manages with elegance and dazzling poise the feelings and emotions on the ambiguous edge that separates the authentic from deception, what we see onscreen and reality. [Full Review in Spanish]” – El Mundo (Spain) Dec 27, 2019 Full Review Rojo (2018) 96% 2/5 EDIT “A strange metaphor about moral depravity. [Full Review in Spanish]” – El Mundo (Spain) Aug 9, 2019 Full Review Peterloo (2018) 67% 4/5 EDIT “A hyperrealist approximation of the origins of class warfare and an efficient didactic exercise that gives a voice to all parties involved. [Full Review in Spanish]” – El Mundo (Spain) May 10, 2019 Full Review Red Joan (2018) 30% 2/5 EDIT “Undoubtedly interesting but far from being the cinematographic jewel that the topic deserves. [Full review in Spanish]” – El Mundo (Spain) Apr 22, 2019 Full Review Becoming Astrid (2018) 96% 3/5 EDIT “The director is able to show the adolescence of the author as an antecedent of what her work would be. [Full Review in Spanish” – El Mundo (Spain) Apr 2, 2019 Full Review Bel Canto (2018) 47% 2/5 EDIT “Claiming the best of what nests in the human condition is an encouraging idea but its artificial and superficial development only rests on the inspired work of the cast. [Full Review in Spanish]” – El Mundo (Spain) Mar 22, 2019 Full Review Yomeddine (2018) 77% 2/5 EDIT “The director builds a moderately discarded, friendly and, especially predictable story. [Full Review in Spanish]” – El Mundo (Spain) Mar 15, 2019 Full Review The Heiresses (2018) 97% 4/5 EDIT “An eloquent portrait of an authoritative and conservative country. [Full Review in Spanish]” – El Mundo (Spain) Mar 11, 2019 Full Review 70 Big Ones (2018) 80% 2/5 EDIT “The film feels frustrated and seems to never reach its potential. [Full Review in Spanish]” – El Mundo (Spain) Mar 11, 2019 Full Review Sobibor (2018) 73% 1/5 EDIT “There is an evident disconnect between the story the film is trying to tell and how they want it to reach mass audiences. [Full Review in Spanish]” – El Mundo (Spain) Mar 2, 2019 Full Review Feedback (2019) 60% 3/5 EDIT “Inspiring thriller that penetrates with forcefulness in some hot topics. [Full Review in Spanish]” – El Mundo (Spain) Mar 1, 2019 Full Review Everyday Heroes (2016) 3/5 EDIT “[An] emotional and devastating portrait of their desires to have fun, to play and, in short, to live. [Full Review in Spanish]” – El Mundo (Spain) Feb 28, 2019 Full Review Capernaum (2018) 90% 4/5 EDIT “A narrative that openly directs itself to your feelings and the sensibility of anyone who sees its images. [Full Review in Spanish]” – El Mundo (Spain) Feb 15, 2019 Full Review School of Life (2017) 40% 2/5 EDIT “It's a shame that the solvency of these performances is not enough to save the simplistic story. [Full Review in Spanish]” – El Mundo (Spain) Feb 15, 2019 Full Review Chacun pour tous (2018) 2/5 EDIT “They stage it as something luminous, transforming the shameful episode into a picturesque, pleasant narrative, within the parameters of what big industry defines as a "feel good" movie. [Full Review in Spanish]” – El Mundo (Spain) Feb 4, 2019 Full Review Life Itself (2018) 13% 2/5 EDIT “Promising proposal that is lost between dispersion and forced complexity.” – El Mundo (Spain) Jan 4, 2019 Full Review Elis (2016) 29% 2/5 EDIT “A charismatic character that the film trivializes in the conventions of a biopic and a visual and dramatic treatment that navigates between the torn soap opera and the superficial telefilm. [Full Review in Spanish]” – El Mundo (Spain) Dec 28, 2018 Full Review Vision (2018) 38% 2/5 EDIT “The artifice of the story ends up flooding the story in the name of a complex spirituality. [Full Review in Spanish]” – El Mundo (Spain) Dec 28, 2018 Full Review Dantza (2018) 3/5 EDIT “Without any dialogue, the film captures your interest with its dazzling beauty and the hypnotic sound of its atavic rhythms. [Full Review in Spanish]” – El Mundo (Spain) Dec 28, 2018 Full Review Lost in Paris (2016) 87% 4/5 EDIT “A sweet and entertaining comedy that in moments feels like a comedian's stand up performance. [Full Review in Spanish]” – El Mundo (Spain) Dec 27, 2018 Full Review La familia (2017) 91% 4/5 EDIT “The director lavishes a narrative pulse and perspicacity in this portrait of deep misery. [Full Review in Spanish]” – El Mundo (Spain) Dec 15, 2018 Full Review Galveston (2018) 73% 3/5 EDIT “The filmmaker brings subtlety and sensitivity to tell a torn and atypical story of redemption. [Full Review in Spanish]” – El Mundo (Spain) Dec 7, 2018 Full Review Genezis (2018) 83% 3/5 EDIT “A startling allegation against the rebound of violent intolerance in the back patio of Europe. [Full Review in Spanish]” – El Mundo (Spain) Dec 3, 2018 Full Review Two Waters (2014) 100% 3/5 EDIT “The result is at times incontestable, from the very start to an exceptionally powerful final stage. [Full Review in Spanish]” – El Mundo (Spain) Dec 3, 2018 Full Review A Twelve-Year Night (La noche de 12 años) (2018) 76% 4/5 EDIT “Álvaro Brechner has reconstructed with remarkable rigor the story of these three characters who survived. [Full review in Spanish]” – El Mundo (Spain) Nov 26, 2018 Full Review
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