Alberto Bermejo

Alberto Bermejo
Alberto Bermejo's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Mundo (Spain)
Publications: El Mundo (Spain)

Movie Reviews Only

T-Meter Title | Year
2/5 98% Rojo (2019) A strange metaphor about moral depravity. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Aug 9, 2019
4/5 66% Peterloo (2019) A hyperrealist approximation of the origins of class warfare and an efficient didactic exercise that gives a voice to all parties involved. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 10, 2019
2/5 30% Red Joan (2019) Undoubtedly interesting but far from being the cinematographic jewel that the topic deserves. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Apr 22, 2019
3/5 96% Becoming Astrid (Unga Astrid) (2018) The director is able to show the adolescence of the author as an antecedent of what her work would be. [Full Review in Spanish - El Mundo (Spain) EDIT
Read More | Posted Apr 2, 2019
2/5 48% Bel Canto (2018) Claiming the best of what nests in the human condition is an encouraging idea but its artificial and superficial development only rests on the inspired work of the cast. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 22, 2019
2/5 74% Yomeddine (2019) The director builds a moderately discarded, friendly and, especially predictable story. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 15, 2019
4/5 97% The Heiresses (Las Herederas) (2019) An eloquent portrait of an authoritative and conservative country. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 10, 2019
2/5 No Score Yet 70 Big Ones (70 Binladens) (2019) The film feels frustrated and seems to never reach its potential. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 10, 2019
1/5 75% Sobibor (2018) There is an evident disconnect between the story the film is trying to tell and how they want it to reach mass audiences. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 1, 2019
3/5 75% Feedback (2020) Inspiring thriller that penetrates with forcefulness in some hot topics. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 1, 2019
2/5 40% School of Life (L'école buissonnière) (2017) It's a shame that the solvency of these performances is not enough to save the simplistic story. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Feb 15, 2019
4/5 90% Capernaum (Capharnaüm) (2018) A narrative that openly directs itself to your feelings and the sensibility of anyone who sees its images. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Feb 15, 2019
2/5 No Score Yet Chacun pour tous (2018) They stage it as something luminous, transforming the shameful episode into a picturesque, pleasant narrative, within the parameters of what big industry defines as a "feel good" movie. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Feb 4, 2019
2/5 14% Life Itself (2018) Promising proposal that is lost between dispersion and forced complexity. - El Mundo (Spain) EDIT
Read More | Posted Jan 4, 2019
2/5 50% Vision (2018) The artifice of the story ends up flooding the story in the name of a complex spirituality. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 28, 2018
2/5 29% Elis (2018) A charismatic character that the film trivializes in the conventions of a biopic and a visual and dramatic treatment that navigates between the torn soap opera and the superficial telefilm. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 28, 2018
3/5 No Score Yet Dantza (2018) Without any dialogue, the film captures your interest with its dazzling beauty and the hypnotic sound of its atavic rhythms. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 27, 2018
4/5 86% Lost in Paris (Paris pieds nus) (2017) A sweet and entertaining comedy that in moments feels like a comedian's stand up performance. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 27, 2018
4/5 91% La familia (2018) The director lavishes a narrative pulse and perspicacity in this portrait of deep misery. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 14, 2018
3/5 72% Galveston (2018) The filmmaker brings subtlety and sensitivity to tell a torn and atypical story of redemption. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 7, 2018
3/5 80% Genesis (Genezis) (2018) A startling allegation against the rebound of violent intolerance in the back patio of Europe. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 2, 2018
3/5 100% Between Two Waters (Entre dos aguas) (2018) The result is at times incontestable, from the very start to an exceptionally powerful final stage. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 2, 2018
4/5 80% A Twelve-Year Night (La noche de 12 años) (2018) Álvaro Brechner has reconstructed with remarkable rigor the story of these three characters who survived. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Nov 26, 2018
3/5 75% Bad Times at the El Royale (2018) The relations include extreme situations resolved with an overwhelming visual power that becomes hypnotic in some stretches. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Nov 19, 2018
3/5 83% Dogman (2019) Matteo Garrone feels comfortable detonating a loaded costumbrismo, with extreme violence but full of humanity. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Nov 12, 2018
4/5 82% Fahrenheit 11/9 (2018) A combative documentary, with hardly any presence of the director, which is appreciated. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Nov 12, 2018
3/5 74% El Angel (El ángel) (2018) The director opts for a distended treatment contemplating the protagonist with something similar to fascination, admiration or empathy. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Nov 1, 2018
4/5 96% BlacKkKlansman (2018) The stupendous chemistry between the leads and the precision of the entire ensemble fill this movie with credibility on an already incredible story. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Nov 1, 2018
2/5 86% El fotógrafo de Mauthausen (2018) Certain narrative impotence despite the innumerable references to a handful of memorable titles. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Oct 26, 2018
4/5 95% Burning (Beoning) (2018) The director, aside from telling a fascinating story on its own merit, articulates an eloquent portrait of South Korea. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Oct 24, 2018
3/5 76% What Will People Say? (Hva vil folk si) (2018) The credibility of the staging... comes from the precise work of its performers. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Aug 26, 2018
2/5 64% Promise at Dawn (La promesse de l'aube) (2019) Paradoxical. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Aug 26, 2018
2/5 30% Rodin (2018) Somewhat dissuasive because of its uneven dramatic intensity. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Aug 26, 2018
2/5 60% Ceasefire (Cessez-le-feu) (2017) The story is sustained in its actors, but burns out in a scattered framework. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Aug 10, 2018
3/5 100% Just Like Our Parents (Como Nossos Pais) (2017) The filmmaker Laís Bodanzky proposes a timely feminist reflection... supported by the great work of a cast headed by Maria Ribeiro and an appreciable balance between the intensity of the sequences and the beauty of the images. [full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Aug 10, 2018
2/5 75% Alone (Solo) (2018) Alain Hernández makes an effort, above all physically, to fill his character with credibility. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Aug 6, 2018
3/5 No Score Yet Place publique (2018) Funny but somewhat disenchanted, there's an air of sadness and melancholy. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jul 27, 2018
3/5 100% Jean-François and the Meaning of Life (Jean-François i el sentit de la vida) (2018) A convincing performance from Max Megias. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jul 18, 2018
2/5 86% Dark Buildings (A Crack in the Wall) (Las grietas de jara) (2018) There are too many limitations placed on the narrative. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jul 18, 2018
4/5 69% Los Perros (2017) Intense. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jul 3, 2018
4/5 88% 78/52: Hitchcock's Shower Scene (2017) Passionate cinephiles. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jul 3, 2018
3/5 95% The Guardians (Les Gardiennes) (2018) Outstanding work from the three protagonists. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jun 26, 2018
3/5 88% Nobody's Watching (Nadie nos mira) (2017) Nobody's Watching exudes melancholy. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jun 26, 2018
4/5 98% The Cakemaker (2018) It's an unusual approach to intimacy and love... [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jun 18, 2018
2/5 63% Normandie nue (2018) There's a lack of definition in this film; it fails to be either tragedy or comedy. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jun 12, 2018
3/5 No Score Yet In Times Of Fading Light (In Zeiten Des Abnehmenden Lichts) (2017) Tragedy with flashes of humor... [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jun 12, 2018
3/5 No Score Yet Corporate (2017) [An] unsettling portrait of the world in which we live. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 25, 2018
4/5 99% Faces Places (Visages, villages) (2017) Few experiences are as dynamic and inspiring as this overflowing exercise of freedom signed by the veteran Agnès Varda in connivance and complicity with the young photographer JR. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 25, 2018
1/5 53% Roman J. Israel, Esq. (2017) Confused and arguably unfocused... [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 18, 2018
3/5 100% The Sower (Le semeur) (2019) There's an effective sobriety in the authenticity of the emotional resolve of the characters. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 18, 2018